A cartoon before first communion: Susan Kandel’s best photograph

‘Left to her own devices, she’d be in a T-shirt and out in the dirt. But she’s been told to be good, stand still and not mess up her dress’

This photo was easy because this is my niece, who’s getting ready for her first communion. Her normal state was to be very active, never stationary for more than a minute. Left to her own devices, she’d be wearing a T-shirt and probably out there in the dirt. What I see in this picture is that she’s been told to be good, stand still and not mess up her dress.

It was 1987 and the family lived in Stoughton, Massachusetts. It’s a blue-collar area, not particularly fancy. There were always kids playing outside, which you didn’t see so much in more prosperous neighbourhoods. There was a lot of excitement. First communion is a very big deal. The rationale is that the girls are becoming brides of Christ, so their outfits are like a wedding dress, and the boys wear white suits, white shirts, white ties. They’re seven years old, considered old enough to have a notion of sin. My niece must have just turned 40 now.

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‘They are living maps’: how Richard Mosse captured environmental damage in the Amazon

In a new set of photos, environmental degradation in the Amazon is explored to shine light on ‘a hideously complex story’

In his 20s, Irish photographer Richard Mosse made his first foray into photojournalism by capturing postwar Balkan nations. This experience led to a realisation that the medium was inadequately suited to capture complex, layered narratives. “You have to put the thing in front of the camera, and when that thing is an abstraction, far bigger than a human figure, it’s very difficult to do,” he explained in a recent podcast with Monocle.

The subjects he found himself covering over the next two decades were equally abstract and complex as the first, ranging from conflict in DR Congo to the refugee crisis in Europe. However, in his search for ways to subvert the medium and bend it to his will, he eventually managed to create his own unique brand of photography, characterised by the use of infra-red film and other technology rooted in military reconnaissance.

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Rewilding our cities: beauty, biodiversity and the biophilic cities movement

Buildings covered in plants do more than just make the cityscape attractive – they contribute to human wellbeing, biodiversity, and action on climate change

Our cities are dominated by glass-faced edifices that overheat like greenhouses then guzzle energy to cool down. Instead, we could have buildings that are intimately connected to the living systems that have evolved with us, that celebrate the human-nature connection that is central to our wellbeing.

As more of us in Australia live in urban areas and our cities grow, bringing nature into our cities is a key part of establishing and rebuilding that connection. As well as bringing beauty into urban environments, we know that people are healthier when they are connected to nature. Research also shows that crime rates decrease in areas with street trees and that property values increase.

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If you like salmon, don’t read this: the art duo exposing a booming £1bn market

Farmed salmon can end up deformed, blind, riddled with sea lice and driven to eat each other. Eco art activists Cooking Sections are highlighting their plight – and getting Tate to change its menus

A few months back, a book arrived in the post – tiny, not much larger than a bank card. Though the cover was grey, its pages were a riot of pinks, from deepest persimmon to pale rose. Printed on them were dense, technical essays referencing everything from fish farming to Adam Smith’s The Wealth of Nations. The title was Salmon: A Red Herring.

Fish is an unexpected topic for an art book – but then the duo who created this little volume, Daniel Fernández Pascual and Alon Schwabe, aren’t really going for the coffee-table market. Operating under the name Cooking Sections, the pair have a thing for food. Their art is about what we eat and its impact on the Earth.

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Back in black: Spanish region summons Goya home to stem decline

Area around Fuendetodos will recreate artists’ Black Paintings venue as it marks his 275th birthday

Two hundred years after he covered the walls of his house near Madrid with febrile visions of Saturn devouring his son, a witches’ sabbath and a slowly drowning dog, Francisco de Goya has been summoned home to help reverse the fortunes of the poor, remote and underpopulated Spanish region where he was born in 1746.

The painter, printmaker and fascinated, appalled chronicler of war, cruelty and reason’s frequent slumbers, studied in Italy and painted for the court in Madrid before dying in Bordeaux in 1828. But he was born on the other side of the Pyrenees in Fuendetodos, a small town 27 miles (44km) south of Zaragoza in the north-eastern Spanish region of Aragon.

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Hypnotic loops and self-soothing sounds: the rise of #OddlySatisfying and visual ASMR

As a subreddit devoted to strangely satisfying video clips grows into a behemoth, a new wave of digital artists are manufacturing their own

The subreddit r/oddlysatisfying has always had a wholesome mission: it collects small moments of magic in the world – “those little things that are inexplicably satisfying”.

It began in 2013, when people started sharing gifs of high-pressure hoses and industrial pasta cutters on Reddit. Eight years later, it has grown into an entire subsection of the internet: r/oddlysatisfying has 5.6 million members, and there’s a multi-platform “media network” of the same name. It curates content for a combined 3.44 million followers across YouTube and TikTok. Videos with the hashtag #oddlysatisfying have clocked up 25.9bn views on TikTok alone.

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Stalin statue site reveals chilling remains of Prague labour camp

Archaeologists have discovered foundations of the previously unknown structure in the city’s Letná park

The colossal monument to Joseph Stalin that towered over Prague at the height of the cold war stood as a frightening reminder of the Soviet dictator’s tyranny and communism’s seemingly unshakeable grip on the former Czechoslovakia.

Nearly 60 years after its demolition, the brooding 15.5-metre (51ft) shrine retains a hold on the popular imagination, with locals referring to the now popular meeting point where it once stood as “Stalin’s”.

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Is the devil really Prada? An uneasy history of fashion as cinema’s punchbag

Slaxx, a new indie horror-satire about a pair of murderous jeans, is the latest film to turn fashion into a baddie. The Guardian’s film critic thinks it is time to change the story

Which professions get a bad press in the movies? TV executives tend to be portrayhed as manipulative and sociopathic. Journalists can be boozy and lazy (although sometimes they’re dishy investigative idealists, like Woodward and Bernstein). Nightclub owners are awful. Dentists are creepy. Hotel receptionists are sinister.

But if there’s one trade that’s somehow perennially getting it in the neck on screen, it’s fashion. The new horror movie from Canadian satirist Elza Kephart – Slaxx – is a case in point, showing a new brand of jeans, unveiled to an elite audience of hipsters at a haughty upmarket store, becoming possessed by the spirits of exploited workers from the developing world who made them. The jeans run violently amok, slaughtering fashion vloggers and Instagram influencers in showers of blood.

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‘The Yanomami could disappear’ – photographer Claudia Andujar on a people under threat in Brazil

Andujar lived with the tribe and fights for them. A timely show of her images comes to London soon


It is more than 50 years since Claudia Andujar began photographing the Yanomami, the people of the Amazon rainforest near Brazil’s border with Venezuela. Now 89, she is using her archive to increase their visibility, at a time when their survival is under renewed threat.

“The question of indigenous people should be more respected, more widely known. This is very important as it’s the only way the present [Brazilian] government will come to recognise their rights as human beings to occupy their land,” says Andujar, speaking from São Paulo. “This government isn’t interested in their rights.”

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The beluga whale who became famous: Aleksander Nordahl’s best photograph

‘He was called Hvaldimir and he would play in front of crowds at Hammerfest harbour in Norway. One woman dropped her phone and he fetched it for her’

In April 2019, a beluga whale appeared alongside fishing boats off the coast of Norway. He was wearing a harness. A fisherman called Joar Hesten freed him, and saw the harness had stamped on it “equipment of St Petersburg”. The media went crazy, with talk of a “spy whale”, and the creature was named Hvaldimir, a combination of hval, the Norwegian word for whale, and Vladimir, a nod to Russia’s President Putin.

The whale became famous. There were Instagram videos of him playing in Hammerfest harbour in front of crowds. One woman dropped her phone in the water and the whale fetched it for her. He would bring up bones from the depths to show people, almost like little gifts. It became this huge moment on social media: everyone in the country fell in love with the whale. Even the hardcore fishing villages melted for Hvaldimir.

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Banksy’s NHS Covid superhero nurse gift sold for record £16.7m

‘Game Changer’ was a work the artist made as a thank you to England’s health workers amid the pandemic

A Banksy painting of a young boy ditching his Batman and Spider-Man action figures for one of a caped superhero nurse has sold for a world record price of £16.7m, the money going to UK health charities.

The artist made the work as a thank you to the NHS, delivering it out of the blue to Southampton general hospital last May.

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Coming of age in a pandemic: 24 photography exhibition 2021 – in pictures

Eighteen years ago, 24 photographers agreed to document New Year’s Day for 24 years. Each was allocated one hour of the day to record what was going on around them and each moves forward one hour every year. Here is a selection of their work, which will be displayed in Soho Square, London, from 24 March until 16 April at one of the first exhibitions to reopen in the UK after a series of coronavirus lockdowns

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‘We needed to rescue the nation from despair’: culture’s year of Covid

Comedians went virtual, Ai Weiwei went to Portugal – and Bake Off pledged the show would go on. In the first of a two-part series, cultural figures look back on a year that shook their industry

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‘I have picked people up on the street’: the secret life of architect Alvar Aalto

He built wild, magical buildings and furniture that is still thrilling today. But a new film suggests the celebrated Finn was also a domineering philanderer deeply indebted to his talented wives

Wonky lumps of misshapen, scorched bricks burst from a block of student flats in Cambridge, Massachusetts, giving a warty look to the long wall that winds its way along the Charles River. “The lousiest bricks in the world,” is how Finnish architect Alvar Aalto described the local New England materials he used for his Baker House dorms at the Massachusetts Institute of Technology in 1947. It was meant as a compliment – he loved their twisted, blackened, brutish texture, which gave the walls the look of coarse tweed.

The pockmarked wall is one of many such strange and beautiful things covered in a new feature-length documentary film about Aalto, Finland’s most famous designer export and one of the most celebrated architects of the 20th century, who built a career on his obsessive attention to material details. Always thinking about the human experience of moving through a building, he considered everything from the feel of a leather-wrapped door handle to the pleasure of a misshapen brick.

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Gerhard Richter gives Holocaust art to Berlin

Germany’s greatest living painter donates 100 works, including his Birkenau series, to capital’s new museum

Fans of the German painter Gerhard Richter are expected to flock to Berlin to view 100 works that he has in effect donated in a long-term loan to a new museum of modern art. The works include a series of paintings addressing the Holocaust that he has vowed never to sell.

The donation by the 89-year-old, who is one of the world’s highest-priced living artists, is destined for the Museum der Moderne, which is under construction in the German capital.

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Miraculous moment at a pagan festival: Alexey Vasilyev’s best photograph

‘Yakutia is five times the size of France with a population of just 1 million. Snow lasts from October to April and there are practically no railways or roads. At these festivals, we become whole’

I grew up in Yakutia. It’s the largest region of Russia, five times the size of France, but with a population of only one million spread over three million square kilometres. The climate is severe and contrasting. In summer, it’s 40C; in winter -60C, with snow from October until mid-April. To go anywhere takes a long time – several hours in the car. There are practically no railways and few roads. It’s easier to fly from the far east to Moscow than it is to travel around. Half of the people are ethnic Sakha from Yakutia, half are Russians. The two communities don’t socialise much. The Russians mostly live in the Aldansky district, but their number is shrinking. Many are moving away to less harsh parts of the country.

As a documentary photographer, I want to record how people live here, what they do, what their problems are, what makes them happy. Each solstice we have a holiday called Ysyakh. It’s a pagan festival, an important part of our national identity and a moment when we become an organic whole. Because we are so spread out it’s often hard to feel any kind of unity. Yakutia’s brand is winter; I wanted to show summer. Participants dress up in national costume. Women wear long, flowing dresses decorated with flowers. It’s a moment when people are relaxed about being photographed. There’s still some paranoia in Russia about posing for a camera. It’s a bit of a Soviet hangover.

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‘Sometimes the answer is to do nothing’: unflashy French duo take architecture’s top prize

The Pritzker prize, once reserved for flamboyant creators of icons, has gone to Lacaton & Vassal, whose rallying cry is: ‘Never demolish, never remove – always add, transform and reuse’

When Lacaton & Vassal were commissioned to redesign a public square in Bordeaux, their response was unusual. The French architects told the client to leave it alone. They thought the square was perfectly good as it was, and that public money would be better spent elsewhere.

“When you go to the doctor,” said Jean-Philippe Vassal, “they might tell you that you’re fine, that you don’t need any medicine. Architecture should be the same. If you take time to observe, and look very precisely, sometimes the answer is to do nothing.” In Bordeaux, the architects’ diagnosis was that the square just needed some new gravel.

Vassal and his partner, Anne Lacaton, have built a 30-year career on knowing how to intervene with the most economical of means, for which they have now been recognised with the Pritzker prize, architecture’s highest honour. In an age of demolishing public housing and replacing it with shiny new carbon-hungry developments in the name of “regeneration”, Lacaton & Vassal have worked tirelessly to expand and upgrade existing buildings with surgical precision, transforming the lives of thousands of people in the process.

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Eve Arnold images released as posters – in pictures

A set of 15 images are being released by the Eve Arnold estate as posters to help fulfil Arnold’s wishes for her work to be affordable, accessible folk art. Prints would normally cost more than £1,000. The images include two unseen images of Marilyn Monroe on the set of the Misfits

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Otto Dix’s ‘apocalyptic’ depictions of life on western front up for auction

Der Krieg portfolio among extensive collection created by first world war veteran and anti-war artist

One of the most extensive collections of prints by Otto Dix is to be offered at auction this month in which the German artist’s unique perspective of fighting in the first world war and coping with its aftermath is given expression in some of the most poignant images of 20th-century Europe.

The works – which include Dix’s early prints and rare, complete portfolios from drypoint etchings to to wood cuts and aquatints – are considered valuable rarities, having been produced only in limited runs.

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