Mark Huband obituary

Foreign correspondent respected for his work in west Africa and the Middle East who went on to write books and poems

Mark Huband, who has died aged 58 of pancreatitis and multiple organ failure, built a strong and lasting reputation over more than three decades as a foreign correspondent and business analyst, specialising in Africa and the Middle East.

He and I met when he arrived in Abidjan, Ivory Coast, in 1989 to take up the post of the Financial Times stringer and I was working for Reuters. He hit the ground running and, despite his youth, he soon became a well-known figure among the foreign journalists, diplomats and business representatives covering the west African region. He was sharp, engaged and committed to the story, and went on to work as Africa correspondent for the Guardian and the Observer before returning to London. He did not look at events from a distance but always saw something of himself in others.

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Colombian family win award for world’s best cookbook

Mother-and-daughter team scoop gong at Gourmand awards in Paris for volume of traditional leaf-wrapped recipes

A Colombian mother and daughter’s celebration of their country’s traditional leaf-wrapped dishes has been named best cookbook in the world at the Gourmand awards in Paris.

Colombia’s envueltos are part of a culinary heritage that stretches across much of Latin America, from the tamales of Mexico and Guatemala to the humitas of Chile.

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Let him be: how McCartney saved roadie from arrest after Beatles final concert

Diaries of band’s road manager, Mal Evans, revealing chaos at gig to feature in major biography

The police famously tried to shut down the Beatles’s rooftop concert on 30 January 1969, over concerns of breach of the peace, in what was to be the band’s final public performance. Now a further backstage drama has emerged with the revelation that Paul McCartney afterwards used his charm to stop a police officer from arresting their road manager and confidant, Mal Evans.

Kenneth Womack, one of the world’s foremost Beatles scholars, told the Observer: “It turns out that Mal was actually arrested that day but managed to get out of it only when Paul went into PR mode and changed the copper’s mind after the show.”

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On my radar: Adjoa Andoh’s cultural highlights

The actor on her hopes for Brixton’s new theatre, an offbeat western and the sophistication of African art

Adjoa Andoh was born in Bristol in 1963 and grew up in Wickwar, Gloucestershire. A veteran stage actor, she starred in His Dark Materials at the National Theatre and in the title role of an all-women of colour production of Richard II at the Globe in 2019. On TV, Andoh plays Lady Danbury in Bridgerton, which returns next year, and she will appear in season two of The Witcher on Netflix from 17 December. She lives in south London with her husband, the novelist Howard Cunnell, and their three children.

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How an innocent Black man served time for the rape of author Alice Sebold

Anthony Broadwater spent 16 years in jail as victim of miscarriage of justice but has accepted author’s apology

On 4 November 1981, five Black men in matching light blue shirts filed into a narrow, well-lit room on the third floor of a police station in Syracuse, New York, and turned to face a one-way mirror. On the other side, a 19-year-old white student stepped towards the glass, and tried to identify which of them was her rapist.

The student, Alice Sebold, would go on to a storied literary career. She had been the subject of a horrific attack late one night in May of the same year, dragged into a tunnel from a path in a public park and forced to lie down among broken bottles.

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Alice Sebold’s publisher pulls memoir after overturned rape conviction

Scribner has responded to the news that Anthony Broadwater has been cleared of the crime at the centre of Lucky by ceasing to distribute the book

Alice Sebold’s publisher Scribner is pulling her 1999 memoir Lucky from shelves after a man was cleared of the rape at the heart of it.

Anthony Broadwater was convicted of raping Sebold in 1982, and spent 16 years in prison. He was exonerated last week after a re-examination of the case found serious flaws in his arrest and trial.

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A moment that changed me: when my beloved teacher taught us about mortal sin

I had impressed Mr Priamo with my passion for winning. In questioning his certainty I learned the eternal value of doubt and ambiguity

Even before I entered his class, I knew Mr Priamo, the sixth-grade teacher at my Catholic elementary school, as the small, powerfully built man who strutted the hallways, and especially the gymnasium, with the ease of an athletic star. In golf shirts and trousers that pulled too tight at the rear, he appeared to be in perpetual motion – an illusion enhanced by his booming voice and jangling keys, the storm of gum-chewing and cologne that encircled him. It was my first encounter with a kind of masculine drag, an adult embodying a role so fully and so well it was impossible to tell where that bit ended and the real person began. Having crafted my own persona as a low-key academic prodigy, I watched him as a cub might regard the leader of a rival clan.

The prospect of submitting to the instruction of someone as brash and sports-metaphor prone as Mr Priamo intrigued me. He was my first male teacher – a relief, following a year in which two female co-teachers (eager to prove a point, it seemed to me, about wanting something too badly) had denied me the top scholastic prize, breaking a three-year streak. Though useless on the track and the basketball court, I impressed Mr Priamo due to the stealthy resolve with which I secured and guarded my standing in his class. Among the first things I learned under his tutelage was that to share a passion for winning is to share a lot.

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How a writer found himself in a missing person story

While working on a book about missing persons, Francisco Garcia received a message that turned his life upside down. Here he reflects on love, loss and the enduring promise of reunion

Despite the cold, it had been a decent day. Late March is sometimes like that in London. More winter than spring, the grass often still frozen half solid underfoot. It’s rarely a time that speaks too loudly of renewal. This year wasn’t any different, as far as I can remember. The occasion that afternoon was a friend’s 30th birthday party, if that’s what you’d call a few faintly desultory beers in a barren Peckham Rye Park.

Back at home, my partner and I had settled down to watch a florid period drama. About half an hour in, that’s when it happened: the moment my life changed. My phone lit up with an unfamiliar name on Facebook Messenger. “Hello Francisco, this might be a shock. It’s your father’s family in Spain. Twenty years may have passed, but we have always remembered you.”

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George Orwell: how romantic walks with girlfriends inspired Nineteen Eighty-Four

Details from 50 newly released letters echo scenes between Winston and Julia in the dystopian novel

The feeling of longing for a lost love can be powerful, and George Orwell makes full use of it in his work. In Nineteen Eighty-Four, his great dystopian novel, the hero Winston Smith’s memories of walks taken with Julia, the woman he can never have, give the story its humanity.

Now a stash of largely unseen private correspondence, handed over to an academic archive on Friday by the author’s son, reveal just how large a role romantic nostalgia played in Orwell’s own life. The contents are also proof that the writer was an unlikely but enthusiastic ice-skater.

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Roman Abramovich wins first round of libel battle over Putin’s People book

UK judge rules some passages convey a defamatory meaning, including claim Putin told him to buy Chelsea

A judge has ruled that a number of passages in the bestselling book Putin’s People convey a defamatory meaning against Roman Abramovich, including a claim that he bought Chelsea football club on Vladimir Putin’s orders.

The Russian oligarch said he was defamed by 26 specific passages in the book by the journalist Catherine Belton, all of which he says convey untrue meanings about him.

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Neat enough for Pepys: Magdalene college Cambridge’s inventive new library

The famous diarist’s dedicated building, left to his Cambridge alma mater, could not be altered. So architect Níall McLaughlin created a magical solution

“My delight is in the neatness of everything,” wrote Samuel Pepys in his diary in 1663, “and so cannot be pleased with anything unless it be very neat, which is a strange folly.”

He was referring in part to the fastidious organisation of his magnificent collection of books. By the time of his death in 1703 he had amassed 3,000 of them, which he left to his alma mater, Magdalene College, Cambridge, to be housed in a dedicated building with his name above the door. He gave strict instructions that his library be kept intact for posterity, without addition or subtraction, its contents arranged “according to heighth” in the bespoke glass-fronted bookcases he had especially commissioned. The responsibility came with an added threat: if one volume goes missing, he instructed, the whole library must be transferred to Trinity.

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Glennon Doyle: ‘So many women feel caged by gender, sexuality, religion’

Glennon Doyle’s memoir inspired Adele – but do we all need to be ‘untamed’?

The marriage wasn’t unbearable, but it didn’t feel right any more. The lightbulb moment came when she realised she needed to think about what she truly wanted, rather than about what society had trained her to think she wanted. Also, she became aware that remaining in an unhappy marriage meant she wasn’t being the parent she wanted to be: following her heart would cause heartbreak to her family now, but it had a noble purpose. Today, her ex lives within walking distance and they share parenting. She got out, and she wants to tell the world how it’s changed her life.

Who is this woman? Well, it could be Adele, whose new album reveals why she decided to leave her husband Simon Konecki, and what it means for their son Angelo, nine. “It just wasn’t right for me any more… I didn’t want to end up like a lot of other people I knew. I wasn’t miserable-miserable, but I would have been miserable had I not put myself first,” she said in a recent interview.

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Too much bosom: why The Wheel of Time is far from ‘great for women’

Rosamund Pike, who stars in Amazon Prime’s forthcoming take on Robert Jordan’s fantasy series, says his female characters are role models. Really?

What is going on with Amazon Prime’s characterisation of The Wheel of Time? I ask this as a fantasy fan, someone who not only adores the classy stuff (NK Jemisin, Guy Gavriel Kay etc) but has also devotedly ploughed her way through The Belgariad, most of Terry Goodkind (until it got too crazy even for me) and Simon R Green. And how many people involved with the forthcoming adaptation have actually marathoned their way through all of the books?

My eyebrows were first raised back when the deal to adapt Robert Jordan’s extremely long series was announced in 2018, when head of Amazon Studios Jennifer Salke praised its “timely narrative featuring powerful women at the core”. Now, I read these books in my late teens, but my resounding memory of them was not of “powerful women”. In fact, I remember thinking Jordan’s depiction of women was pretty dismal – he might have packed in far more female characters than Tolkien ever did, but they’re constantly objectified, forever hoisting their bosoms around, adjusting their skirts – even getting spanked as punishment.

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Nazis based their elite schools on top British private schools

Eton and Harrow among those whose ‘character-building’ qualities were admired by German educators in 1930s and 1940s

Nazi Germany’s elite schools, which were set up to train future leaders of the Third Reich, used British private schools such as Eton and Harrow as their models, a new book reveals.

The historian Helen Roche has written the first comprehensive history of Nazi elite schools, known as Napolas. Drawing on research undertaken in 80 archives in six countries as well as testimonies from more than 100 former pupils, Roche discovered just how keen the Nazis were to learn from the “character-forming” example of the British system.

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Historian Timothy Snyder: ‘It turns out that people really like democracy’

The author of On Tyranny on the lack of historical literacy, how local news has been replaced by Facebook, and why novels matter to him

Timothy Snyder is a professor of history at Yale University and the author of books about the 20th-century history of central Europe, including Bloodlands, which examined the devastating consequence of Hitler and Stalin’s simultaneous reign of terror over civilian populations, and won the 2013 Hannah Arendt prize for political thought. In 2016, after the election of Donald Trump, Snyder wrote a short book, On Tyranny, which provided 20 brief lessons – “Defend Institutions”, “Remember Professional Ethics”, “Read Books” – from the 20th century that might help readers protect democracy against dictatorship. It topped the New York Times bestseller list for nonfiction in 2017. A new edition of the book, with illustrations by the German-American Nora Krug, whose graphic memoir Belonging confronted Germany’s Nazi past, has just been published.

What prompted you to want to make this graphic version of On Tyranny?
It came out originally in this extremely simple, accessible form. I always had the idea that it could take a different form, but that only became concrete once I read Nora Krug’s Belonging. I cold-called her and said: “Could you please do this?” Part of it was also to renew it. I changed the text a little bit, removed some of the stuff that was specific to 2016 and added some lines that recall what happened in 2020.

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The nocturnal​ ​beauty of the ​urban ​underpass – in pictures

How did the British fashion photographer Perou end up shooting a book of grimy, deserted underpasses around England? It started, he says, “when Karl Hyde of Underworld asked me to photograph one for his [2013] solo album Edgeland”. Hyde suggested they expand the idea, and the result, eight years later, is Tunnel Vision, featuring more than 200 English underpasses photographed at night, with gnomic captions (supplied by Hyde) taken from graffiti found nearby.

“The more I photographed underpasses the more wonderful I found them,” says Perou. “They’re all unique: they have different designs and lighting, different paint or municipal art on the walls. They’re almost all uniformly smelly and cold,” but, he insists, “beautiful and full of character.”

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Barbara Taylor Bradford: ‘My mother told me: “Keep your head down and don’t flirt at work”

The author, aged 88, on her first job working with Keith Waterhouse, giving advice to Sean Connery and her 56-year marriage

I was a serious little girl growing up in Leeds and had supportive parents who were instrumental in my success. My mother sold my first story to a children’s magazine when I was 10. My father, an engineer, funded my addiction to taxis when I started working on Fleet Street.

At 16, I started my first job in the typing pool at the Yorkshire Evening Post and became a reporter after secretly slipping stories on to the subs’ desk. I was the only woman in the newsroom. My mother told me: “Keep your head down and don’t flirt at work. Your attitude towards men will dictate their attitude towards you.” The best advice I ever had.

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Tom Ford: ‘I paid $90,000 for my own dress. The clothes we make are not meant to be thrown away’

From fashion with va-va-voom to veganism – ahead of the release of his new book, America’s starriest designer takes a moment to reflect

Tom Ford answers my phone call in precisely the way I’d hoped he would: with a voice as smooth as butter and the grace of Cary Grant.

We are in touch to discuss his latest project, a coffee-table book charting the past 15 years of his career – or “post-Gucci”, as those familiar with luxury fashion prefer to describe the era that has followed Ford’s departure from the Italian super brand.

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‘We’re taking the man out of the myth’: the musical reclaiming Rumi from Instagram

A new stage production aims to tell the Sufi poet’s story beyond his aphorisms – and challenge assumptions about Islam and the Middle East in the process

He is everywhere and nowhere. The words of Jalal al-Din Rumi are found on sunset images pasted on Instagram and coffee mugs sold on Etsy; his poems have been featured in recordings from Madonna and Coldplay and he is reputed to be the bestselling poet in the US. Rumi’s observations and aphorisms on life may be endlessly cited – “You are not a drop in the ocean, you are the entire ocean in a drop” – but few in the west know him as anything more than a bearded Sufi mystic.

“Rumi has become a mystical, almost deified figure,” says Nadim Naaman. “The reality is that he was the opposite of an untouchable deity.” Naaman, a British Lebanese singer, actor and writer, has collaborated with the Qatari composer Dana Al Fardan to create Rumi: The Musical. “Our approach was to take the man out of the myth,” says Al Fardan, “and to present him as human being.” This is the second time Naaman and Al Fardan have brought a beloved Middle Eastern poet to the London stage. Their 2018 show Broken Wings, which is returning to London in the new year, was based on a novel by the Lebanese poet and writer Kahlil Gibran. It was the success of that production that convinced them there may be an appetite for a musical that delved into the life of Rumi.

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