Posters in Liverpool were destroyed after going on display in Homotopia festival’s Queer the City exhibition
Detectives are investigating after two artworks, commissioned in response to a series of homophobic and transphobic attacks in Liverpool, were destroyed. Merseyside police said they are treating the incidents as hate crime.
The artworks were vandalised within days of going on display as part of Homotopia festival’s Queer the City outdoor exhibition.
Continue reading...In a memoir coming out next week, Wood’s younger sister identifies the actor’s long-suspected assailant
For decades, it’s been one of Hollywood’s darkest rumors: Natalie Wood was sexually assaulted by a top movie star more than twice her age when she met with him at a hotel in Los Angeles as a teenager.
In a memoir coming out next week, Wood’s younger sister identifies the long-suspected assailant: Kirk Douglas.
Continue reading...As the London Korean film festival kicks off, Youn Yuh-jung, talks about how her portrayals of racy grannies and scheming maids scandalised the nation
In her Oscar-winning turn in last year’s Minari, Youn Yuh-jung played the mischievous granny you wished you’d had: the one who ignores your fun-sucking parents, takes you on wild adventures and teaches you to do your own thing. “You’re not a real grandma,” her Americanised grandson tells her. “They bake cookies! They don’t swear! They don’t wear men’s underwear!” In real life, Youn is pretty similar: lively, funny, unpretentious, and, she admits, not all that good at cooking. The 74-year-old actor has had an unconventional life and career, and most of us in the west know only a tiny fraction of it.
“My problem is, I don’t plan anything!” Youn laughs over Zoom from Los Angeles. Unlike her character in Minari, she speaks fluent English, although she apologises for it not being good enough.
Continue reading...In this extract from a book compiling artworks made by Donwood and Yorke for Radiohead, the pair discuss how alienation with Cool Britannia saw them retreat into landscapes, labyrinths and inadvertently inventing Twitter
Stanley Donwood I can’t believe the innocent world we lived in when we were making this work. It was before 9/11, before the “war on terror”, before the conjoining of the police and the military – all of the social changes that have led towards the position we now find ourselves in. It wasn’t possible to know what was going on around the world in the same way that it is now, when news has become a sort of surrogate entertainment.
Thom Yorke Everybody involved felt like we’d been in some weird circus for quite a while, after OK Computer. Personally, I mentally completely crashed, as did Stan. We all did, in a way. Rather than immersing ourselves in this congratulatory atmosphere around us, we felt the total opposite. There was this fierce desire to be totally on the outside of everything that was going on, and a fierce anger, and suspicion. And that permeated everything. It was completely out of proportion, deeply unhealthy – but that’s where we were at.
Continue reading...With disco enjoying one of its periodic moments in the sun, a supremely classy 21st-century reboot was possible. But this isn’t it
In 1982, Diana Ross was interviewed by Smash Hits magazine. Her presence in among the breathless coverage of Duran Duran and Haircut 100 was testament to her continued commercial success two decades on from the Supremes’ first hit. She talked a little about that band’s 60s heyday, but, as befitting an artist who had just enjoyed two platinum albums stuffed with Top 10 singles, insisted that the 80s were the real “golden age. There’s so much opportunity.”
But not, as it turned out, for Diana Ross, whose recording career stalled shortly afterwards. She had her last US Top 10 hit, a tribute to the recently murdered Marvin Gaye called Missing You, 37 years ago. Britain remained under her sway a little longer – Chain Reaction, a flop in the US, rightly reached No 1 in 1986 – but even so, it was all over bar the shouting by the early 90s.
Continue reading...With The Last Duel out now, and House of Gucci at the end of the month, we rate the top 20 movies by the go-to director for swords, sandals, cyborgs and Sigourney
A film to prove that straight-up feelgood comedy is not Ridley Scott’s forte and casting his favourite leading man is no guarantee of success, either. This is based on a novel by Peter “A Year in Provence” Mayle: incredibly, it is Russell Crowe playing the quirkily conceited yet adorable Brit who inherits a sumptuous house-plus-vineyard in the south of France, comes over intending to sell it, but instead falls in love with the place and all the picturesque Frenchness thereabouts, including Marion Cotillard.
Continue reading...The novelist takes the £50,000 prize with a ‘strong, unambiguous commentary on the history of South Africa and of humanity itself’
• Damon Galgut is a clear and unsurprising Booker winner
Damon Galgut has won the Booker prize for his portrait of a white South African family navigating the end of apartheid. The judges praised The Promise as “a spectacular demonstration of how the novel can make us see and think afresh”, and compared it to the work of William Faulkner and Virginia Woolf.
This is is the first time Galgut will be walking away with the £50,000 prize, despite having been shortlisted twice before.. The Promise is his ninth novel, and his first in seven years. He becomes the third South African to win the prestigious fiction prize, after JM Coetzee and Nadine Gordimer. Through the lens of four sequential funerals, each taking place in a different decade, The Promise follows the Swarts, a white South African family who live on a farm outside Pretoria. The promise of the title is one the Swarts make – and fail to keep over the years – to give a home and land to the black woman who worked for them her whole life.
Continue reading...Prix Goncourt goes to 31-year-old’s novel The Most Secret Memory of Men, praised for its ‘stunning energy’
The Senegalese novelist Mohamed Mbougar Sarr has become the first writer from sub-Saharan Africa to be awarded France’s oldest and most prestigious literary prize, the Prix Goncourt.
The award, announced on Wednesday at the Drouant restaurant near the Opéra Garnier in Paris, was hailed as “symbolic” by the French literary establishment, 100 years after the prize – presented since 1867 – was first won by a Black author.
Continue reading...Lady Gaga inhabited her role in upcoming drama House of Gucci off screen and on for a year and a half. Was the ‘psychological difficulty’ she suffered as a result worth it?
A Star Is Born was both a blessing and a curse for Lady Gaga. A blessing because it put her at the centre of a commercially successful, Oscar-nominated film, thereby rocketing her to the top of a profession of which she had very little experience. A curse, too, because she was essentially just playing herself; a singer who went from performing in drag bars to commanding huge stages in very little time. Quick, without looking, tell me the name of the character Lady Gaga played in A Star Is Born. You can’t, can you? You’ve always just called her Lady Gaga.
This means that she ultimately had two options after A Star Is Born. She could abandon her movie career in the knowledge that she had blurred the line between character and performer more successfully than any actor working today, or she could find another role. A role not so heavily steeped in her own biography. A role that would finally prove to the world that she was an actor of the highest calibre.
Continue reading...Semi-animated Netflix documentary short reveals the secret story of the Jewish soldiers who watched over prisoners of war on US soil
Too vast in scope to be contained within war drama, the Holocaust movie constitutes an entire genre unto itself, collecting a potentially infinite number of tragedies great and small. The history of the 20th century’s most massive atrocity comes with thousands of footnotes now gradually expanded upon by media depicting the unsung courage and untold evil. Israeli documentary film-makers Daniel Sivan and Mor Loushy singled out one such extraordinary tale for their latest joint project, Netflix’s short film Camp Confidential, drawing attention to a highly covert military operation only recently released from behind redaction-marker bars. “The first thing is, when producers Benji and Jono Bergmann approached us with this and told us of the story, we didn’t believe it,” Sivan tells the Guardian. “It was just so out-there.”
The black-op facility tucked away in northern Virginia’s Fairfax county sounds like something out of a pulp paperback: Jewish soldiers, many of them refugees from the devastation in Europe, watched over Nazi prisoners of war in a surreally domestic setting. Known as PO Box 1142, it housed such notables as spymaster Reinhard Gehlen and rocket scientist Wernher von Braun. But those in charge of the base were also tasked with maintaining a baseline quality of life for the inmates, leading to bizarre scenes such as a department store outing with former members of the Third Reich to purchase unmentionables for their wives. Bulldozed after the war and buried in secrecy until the National Parks Service unearthed some remnants in the early 2000s, the clandestine camp now doubles as a cautionary tale for modern Jews and a memorial for those who came before them.
Continue reading...Series showrunner tells podcast that ambiguous ending rankled with viewers who wanted to see the character ‘face-down in linguini’
David Chase, the creator of The Sopranos, has spoken about his irritation at viewers’ desire to see Tony Soprano die at the end of the hit series.
Speaking on the Hollywood Reporter’s Awards Chatter podcast, the 76-year-old said he had been “bothered” by people’s obsession with the blackout ending of the 2007 finale, which stopped short of confirming the fate of its lead character.
Continue reading...It takes special design to keep players exploring, and game developer Arkane, known for its refined aesthetic, has some unexpected sources
This year, there is one game world I have enjoyed exploring more than any other. We’re so spoiled for visually rich open environments these days, it takes something special to keep players immersed, to keep them wandering about looking at stuff, just for the sake of it. Deathloop is a shining example. Developer Arkane is known for its highly refined and individual approach to game art, thanks to the astonishing Dishonored titles, set in a steam-punk dystopia of rats, robotic guards and ornate classical architecture. This time around, the team created a strange Groundhog Day-like adventure set on an island populated by mad scientists and spoiled billionaires, all looking to gain immortality by living the same day over and over again, thanks to a localised space-time phenomenon.
The island of Blackreef, where the whole game takes place, provides a fascinating example of how Arkane works. At first, the team built a timeline to explain the variety of natural and human-made features in each region. The location itself is a remote, wintery outpost, heavily inspired by the Faroe Islands, with craggy cliffs and windswept grasslands. On top of this are the militarised buildings constructed by a group of military researchers who arrived in the 1930s to investigate the strange phenomena. And then, decades later came Aeon, a cabal of rich tech bros, looking for a new playground. “It was kind of like if Elon Musk had said, ‘let’s go to the Bermuda Triangle and study it’!” explains art director Seb Mitton. “They came with all this money and realised they could create these strange events. They said ‘we’re going to start this loop and we’re going to live forever.’”
Continue reading...The musicians and execs share the pitches, punch-ups and phone calls behind the adverts that took Stiltskin, Babylon Zoo and Mr Oizo to No 1 – and flipped music and advertising’s relationship on its head
Amid black and white Ansel Adams-style cinematography, two Amish sisters spy on a topless man bathing in a Yosemite river. Suddenly, a peaceful choral soundtrack gave gives way to bone-shaking guitar: Inside, the debut single by Scottish grunge band Stiltskin.
Thus began one of the strangest cultural wrinkles of the 1990s: when Levi’s became a jeans company that could also score UK chart hits. Inside was built around an addictive riff that still sounds fresh, and the advert, entitled Creek, shot it to the top of the UK charts. Over the next few years, the likes of Babylon Zoo, Smoke City, Mr Oizo and Norman Cook’s pre-Fatboy Slim project Freak Power would also score major success off the back of a placement in Levi’s witty, often sexually provocative adverts.
Continue reading...Chests must be de-fuzzed, armpits shaved, legs waxed. But as dance becomes more diverse, should it stop policing what grows naturally? Top performers speak out about their body hair
The ideal dancer’s body is unrealistic in many ways: bendier than a Barbie, incredibly lean but super-strong, with very particular proportions (in ballet, small head, long legs, short torso, high insteps). And also, it’s hairless. As with swimmers, athletes, gymnasts and others who wear leotards for a living, constant depilation is part of the job.
That goes for men as well as women. “I choose to shave because it gives me a sense of readiness,” says dancer and choreographer Eliot Smith. “I believe it gives me better outlines of the body against the stage lights.” On ballet message boards, it’s not uncommon to find parents of teenage boys asking what to do about hairy legs showing under white tights (wear two pairs of tights, or paint over hairs with pancake are two suggestions, if shaving isn’t an option).
But is there an alternative? When pole dancer Leila Davis was pictured in an Adidas campaign in March showing off armpit fuzz, as well as toned abs, there were plenty of online haters, predictably, but lots of lovers, too. And there are a few – although not many – contemporary dancers who are happy to let their body hair be seen on stage.
“I want it to be normalised,” says Jessie Roberts-Smith, a performer with Scottish Dance Theatre. And independent choreographer Ellie Sikorski sees it as part of a bigger picture. “It’s not the first fight I would pick about the homogeneity of bodies on stage,” she says. “But there’s something archaic in dance – where your body is policed in certain ways. You’re taught not to have agency over your body and body hair is a tiny detail of that.”
Continue reading...The actor talks about being bullied by the disgraced movie mogul, marrying a billionaire and becoming a superhero at 55
Salma Hayek is dreadfully jetlagged, which is one of the perils of having homes around the world and frequently hopping between them. “Let me tell you about my craziness,” she says by video chat from her home in west London. “I’m here for less than a week, then I go back [to the US] for five days for my husband’s work, then I come back here for my work, then I go back to LA because I’m getting a star on the Hollywood Boulevard! It’s crazy,” she says. After this interview she has a fitting for dresses for various movie premieres.
“We’re just making it up as we go along!” she says in exasperation at her crazy life. Despite the craziness, she looks impeccable in a Gucci dress (“As comfortable as your sweats!”), framed by the enormous mirrored painting behind her. “It’s by [Takashi] Murakami,” she says casually of one of the most expensive living artists. She blows a kiss to her husband, François-Henri Pinault, as he leaves the house. Pinault is the CEO of the fashion conglomerate Kering, which is behind labels such as Gucci, Balenciaga, Yves Saint Laurent and many others. The Pinault family wealth is estimated at $49bn. It’s crazy.
“No to me taking a shower with him. No to letting him watch me take a shower. No to letting him give me a massage. No to letting a naked friend of his give me a massage. No to letting him give me oral sex. No to my getting naked with another woman. No no no no no … And with every refusal came Harvey’s Machiavellian rage.”
Continue reading...Jean-Pierre Jeunet’s fantastical romantic comedy made a star of Audrey Tautou and its distinctive visuals influenced a decade’s worth of film-makers
There’s a defining moment early in Jean-Pierre Jeunet’s Amélie when Amélie Poulain (Audrey Tautou), a painfully shy and uncommonly adorable waitress at the Two Windmills cafe in Montmartre, arranges the return of childhood treasures to a middle-aged man who’d hidden them in her apartment building 40 years earlier. She has gone through an exhaustive search to find this man, meeting all manner of eccentric Parisians along the way, but she eventually summons the right person to a phone booth and watches the tears roll down his cheeks as this tin full of trinkets unleashes a flood of memories.
As she glides blissfully through the frame, the narrator says, “Amélie has a strange feeling of absolute harmony. It’s a perfect moment. A soft light, a scent in the air, the quiet murmur of the city. A surge of love, an urge to help mankind overcomes her.”
Continue reading...She had one of the most notorious sex scenes in TV history. But the actor is now making waves as an upstanding cop in The Tower. She talks about intimacy coaches, on-set innuendo and cracking America
Deadlines meant I saw ITV’s twisty police corruption drama The Tower as a rough cut, featuring on-screen notes about final editing perfections, computer-generated backgrounds, extra lines of dialogue – and the instruction: “Hide pregnancy bump.”
This related to the increasing evidence of Freddie, now four weeks old, and sleeping between feeds in a pub garden near the London home of his mother, Gemma Whelan, who is amused to hear of this prenatal technology. “Wow!” she says. ‘“How are they going to do that? Paint it out? Or cut in a waistline from earlier?”
Continue reading...Ian McKellen, Stephen Fry and the former archbishop of Canterbury appear in a chummy documentary recounting the gay rights activist’s most outrageous stunts and impressive achievements
“My doctors have said very clearly: ‘No more head injuries.’” So says Peter Tatchell, one of the world’s most tenacious, divisive and necessary activists, as he prepares to fly to Moscow in 2018 to protest against state-sanctioned homophobia. The trip, which returns him to the city where he was beaten and arrested in 2007, forms one of the few present-tense sections of this greatest hits-style documentary. Tatchell has sustained numerous injuries from his lifetime of protest, though claims of memory loss are comically undermined during a kid-gloves interview with Ian McKellen. “Fifty two years of civil disobedience, Peter!” gasps the actor admiringly. “Fifty three now,” Tatchell replies, unable to resist the lure of being right.
As of this year, it’s 54. Tatchell was already an activist when he moved from Melbourne to London in 1971 at the age of 19. Among other achievements, he went on to stage the first gay rights protest in a communist country (East Germany, 1973), co-found the gay pressure group OutRage!, and attempt citizen’s arrests of Robert Mugabe (London, 1999 and Brussels, 2001). The former MP Chris Smith correctly identifies those run-ins with the Zimbabwean dictator as turning points which softened public hostility toward Tatchell.
Continue reading...Legislation for minimum delivery price aims to stop ‘distorted competition’ against independent bookshops
At her independent bookshop in the small, rural town of Puy-en-Velay in southern France, Anne Helman had seen an influx of customers since the coronavirus pandemic who said they would rather buy books in person than online.
“I’ve never sold as many copies of Albert Camus’s The Plague,” she said. “Children wanted fantasy books. Adults wanted novels and the classics, particularly stories about viruses and the apocalypse. There has been a newfound enthusiasm for buying locally and supporting independent bookshops; it’s seen as the virtuous thing to do.”
Continue reading...‘I was famous for casting unknown actors. I had Nicolas Cage, Robert Downey Jr and Matt Dillon in a circle watching each other try for parts’
Francis Ford Coppola, director
After my 1982 film One from the Heart failed commercially, my production company American Zoetrope was bankrupt – it was a low period for me. But then I received a letter written by Jo Ellen Misakian, a junior school librarian from Fresno, California. It read: “We are all so impressed with the book, The Outsiders by SE Hinton, that a petition has been circulated asking that it be made into a movie. We have chosen you to send it to.” It contained about 15 pages of children’s signatures written in different-coloured pens. It was very moving.
I read Susan Hinton’s book, written when she was in her late teens, and was touched by the level of regard these poor “Greaser” kids had for each other, even though they didn’t have the advantages of their “Social” rivals. I’ve always believed that kids have many more feelings than we give them credit for, and I wanted to make the story. When I was about 17, I had been a drama counsellor at a summer camp, and the idea of being with half a dozen kids in the country and making a movie seemed like being a camp counsellor again. I’d forget my troubles and have some laughs.
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