Force of history demands re-evaluation of colonial statues and street names

Cities have always been about apportioning and memorialising power; about writing force into space. Britain’s colonial and imperial past is inscribed into the bricks and mortar of every city and town in the country. Mostly this hidden text of power relations and wealth acquisition lies dormant in the half-forgotten significance of street names, in the knotty iconography of grand facades, in the barely read inscriptions on memorials and sculptures, in the nomenclature of grand public buildings. Forming the backdrop of lived lives, these omnipresent clues are rarely fully decoded. The most monumental of sculptures has a habit of fading away to near invisibility if it is sufficiently familiar.

At times, though, such associations are activated and become urgent. So it has been in the case of the long-running affair of Edward Colston, who made his fortune in the 17th century from the enslavement of thousands of Africans.