‘I document America’s strange beauty’: the photography of My Name Is Earl’s Jason Lee

He played a redemption-seeking redneck on TV, but lately the actor has found solace off-screen, travelling with his camera. He talks about slackers, the Mallrats sequel and breezing into one-horse towns

Jason Lee knew he was in trouble when he stepped on the set. The year was 1992, Sonic Youth were at their peak and he was starring as a doomed skateboarder in their latest video. As a music obsessed, pro skateboarder with acting aspirations, he felt he had a point to prove. To add more pressure, it was for the song 100% – the band’s classic ode to a murdered Black Flag roadie – and the video was being co-directed by one of his skateboarding friends (some guy called Spike Jonze).

“I was really trying my hardest to focus,” says Lee. “I was like pretending to be Robert De Niro on the set, really trying to get into it and make it count and make it real and believable.”

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Flee review – remarkable refugee story told with heart and audacity

A thrilling documentary made with a blend of animation and archive footage tells an immensely powerful tale of a gay Afghan survivor

In what’s proving to be a rather sub-par Sundance (an understandable blip given the unusual nature of this year’s virtual festival), it’s a genuine thrill to encounter a film as exciting and immediate as Flee, a much-needed jolt of energy now reverberating on laptop screens across the country. Even in a traditional year, it’s the kind of audacious and uniquely told story that would have attendees excitedly buzzing around Park City, urging others to seek out, and despite the fractured nature of this year’s edition, a swell of digital support has helped it nab a seven-figure deal with Neon (helped also perhaps by its star producers Riz Ahmed and Nikolaj Coster-Waldau), this year’s first big sale, a well-earned reward for what’s likely to be the best film of the festival.

Related: Passing review – Rebecca Hall's elegant but inert directorial debut

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Swedish nurse to be sole attendee of film festival on remote island

Lisa Enroth was chosen from 12,000 applicants to be Gothenburg film festival’s castaway on Pater Noster

Scandinavia’s biggest film festival is going ahead this year despite the coronavirus pandemic, but will be hosted on an isolated island and admit only one attendee – a healthcare worker, who has been selected from 12,000 applicants.

Lisa Enroth, a Swedish nurse and film fan, was chosen to be the 2021 Gothenburg film festival’s castaway who will spend a week on the remote island of Pater Noster watching film after film.

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Ethan Hawke: ‘It’s just a petrifying time to speak about male sexuality’

The Oscar-nominated actor on his new novel set during a production of Henry IV, dealing with bad reviews and art’s role in examining all human behaviour

Ethan Hawke is an actor, writer and director, star of the films Dead Poets Society, Training Day and Boyhood. He has been nominated for Academy Awards for his acting, and for his writing on Before Sunset and Before Midnight. Hawke describes theatre as his first love and has featured in a number of plays by Sam Shepard, as well as in productions of work by Shakespeare, Chekhov, and his own second cousin twice-removed, Tennessee Williams.

Hawke’s first novel, The Hottest State, was published in 1996. His second, Ash Wednesday, came out in 2002. Now, with A Bright Ray of Darkness, Hawke brings us a novel that is structured around a stage production of Henry IV, Part 1. The book’s narrator, William Harding, is a hard-drinking film star who seeks to overcome a period of personal turmoil by throwing himself into his role as Henry Percy.

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Nancy Sinatra: ‘I’ll never forgive Trump voters. I hope the anger doesn’t kill me’

She may be 80 and cut off by Covid, but she’s still ready to walk all over Donald Trump. As her greatest songs are reissued, she reflects on the sexual politics of the 60s, her friendship with Elvis and her hopes for peace in the US

Nancy Sinatra has one of the most famous surnames in America, but she has struggled to feel proudly American of late. It’s a couple of weeks away from the inauguration of Joe Biden, and the singer and film star is recalling Donald Trump’s preparations for his own inauguration in 2017: his first dance with his wife Melania would be to her father’s signature hit, My Way.

Sinatra was disgusted. Her father was no fan of Trump: according to Frank’s former manager, he told Trump to “go fuck himself” after the billionaire refused to meet Frank’s fee for a 1990 performance at an Atlantic City casino. Nancy, in a since deleted tweet to Trump, wrote: “Just remember the first line of the song.” My Way begins: “And now the end is near.”

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Confused about GameStop? Five films to watch to help you pretend to understand the stock market

You don’t have to be a redditer or a big investor to enjoy these Hollywood blockbusters that double as the perfect educational resource

The GameStop debacle has put the stock market on everyone’s radar this week – even those who rarely pay it any attention. Many are depicting the incident as a David-and-Goliath battle between small investors gathering on Reddit message-boards and Wall Street powerbrokers finding themselves unexpectedly on the back foot at their own game. Billions of dollars are in the balance.

Along with such major news events, though, come the instant internet experts. Let’s face it: most of us understand diddly squat about the stock market and rely on Hollywood to inform us about an industry that it portrays as a place in which, to quote from the tyrannical, fictional Gordan Gekko: “lunch is for wimps”.

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Coda review – formulaic yet sweet-natured crowd-pleaser

A hearing girl with a deaf family is torn between two worlds in a well-intentioned but conventional attempt to win over audiences

There’s an earnest old-fashioned Sundance-ness to writer-director Sian Heder’s broad comedy-drama Coda, the kind of warm-hearted crowd-pleaser that the festival is most widely known for. In any normal year, it would probably have been met with audible approval throughout its premiere. But this isn’t a normal year, with the majority of festival goers watching the film at home, perhaps less pumped up by the thrill of seeing it with a crowd. With or without an audience, it’s a minor film, a little too formulaic at times, a tad too comfortable sticking to a dog-eared playbook, eager to be loved but not really trying hard enough to be remembered.

Related: Sundance 2021: which films might break out this year?

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‘I was appalled to be tarred as misogynist’: Variety critic hits back at Carey Mulligan’s sexism accusations

Exclusive: Dennis Harvey, the critic whose review of Promising Young Woman prompted outrage from its star and an apology from his editors, has spoken out

Dennis Harvey, the veteran film critic whose review of Promising Young Woman has sparked a furore across the industry, has hit back at accusations of misogyny amid calls for Variety to fire him.

Harvey’s review was published more than a year ago, following the film’s premiere at the Sundance film festival. Largely positive, it called Mulligan’s performance “skilful, entertaining and challenging” while also querying the central casting. While “a fine actress”, wrote Harvey, Mulligan “seems a bit of an odd choice as this admittedly many-layered apparent femme fatale”.

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‘Alarmingly sexist’: Variety review boosts calls for more diverse film critics

Male writer’s comments on Carey Mulligan’s looks said to highlight ‘double standards’ in industry

Film criticism is facing renewed condemnation over a lack of diversity after a review deemed by many – including its subject – to be alarmingly sexist.

“I just couldn’t believe it,” said Carey Mulligan, who was judged by the veteran Variety reviewer Dennis Harvey to be insufficiently attractive to convince in her latest role.

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Ralph Fiennes’s 20 best film performances – ranked!

As his new film The Dig comes to Netflix, we take a deep dive into Fiennes’s career – from Quiz Show and The English Patient to In Bruges and The Lego Batman Movie

This version of Dickens’s Great Expectations, scripted by David Nicholls, was maybe not groundbreaking but was watchable and featured Ralph Fiennes as the convict Magwitch. He is seen first leaping out and scaring Pip in the churchyard with a convict’s number-one cut and mud all over his face, and later with longish hair, clean-shaven in a mysterious, new respectable guise. It’s a transformation that should perhaps have given Fiennes more of a performing showcase.

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Doe-eyed Kristen Stewart might just take the crown as Princess Diana

In a highly competitive field, the American actor has perfected the put-upon princess look for Spencer, the latest royal biopic

Some films have to work harder than others to get bums on seats. Some can charm audiences with big stars, or the lure of a continuing franchise, or the promise of a scene where King Kong takes a swing at Godzilla like he’s half-cut in a Wetherspoons car park. And then, right at the other end of the scale, is Spencer.

Make no mistake, Spencer will have to be brilliant to make people go and see it. Better than brilliant, even. It will have to be the perfect movie; entertaining and fun and moving and so technically accomplished that film historians will come to view it as the moment that cinema entered a new epoch. Anything less than that and Spencer is done for.

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‘They said I wasn’t hot enough’: Carey Mulligan hits out again at magazine review

Variety review of black comedy Promising Young Woman prompts actor to speak out on industry’s institutionalised sexism

Carey Mulligan has said she was alarmed after a major publication ran a review of her new film questioning whether she was attractive enough for the role.

Related: Variety's apology to Carey Mulligan shows that the critic's ivory tower is toppling | Peter Bradshaw

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The Capote Tapes: inside the scandal ignited by Truman’s explosive final novel

He partied with high society America but caused outrage when he spilled their secrets. Ebs Burnough talks us through his new film about Answered Prayers – the ‘smart, salacious’ novel Capote never finished

When Truman Capote died in 1984, he left the remains of a novel he had been hatching for nearly two decades, and talking about for almost as long. Answered Prayers, the story of a budding writer screwing his way through polite society, was intended to be Capote’s most explosive achievement. He likened it to a deadly weapon. “There’s the handle, the trigger, the barrel, and, finally, the bullet,” he told People magazine. “And when that bullet is fired from the gun, it’s going to come out with a speed and power like you’ve never seen – wham!” Having bragged about the book for years, all he had to do now was write it.

A contract was signed in 1966, but advance chapters published in Esquire magazine nine years later proved to be far below the standard of his defining successes, Breakfast at Tiffany’s and the “non-fiction novel” In Cold Blood. There was a cost to his social reputation as well as his literary one. As soon as the socialites and wealthy wives with whom he had mingled happily for years – including Slim Keith, Babe Paley and Gloria Vanderbilt, whom he called his “swans” – saw how casually he had spilled their most intimate secrets, those friendships were dead. Capote hadn’t bitten the hand that fed him. He’d gnawed it off at the wrist.

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Godzilla vs Kong: the big dumb action movie we’ve been waiting for?

The trailer for the monster match-up promises bad dialogue and convoluted mythology, but also two giant creatures fighting until the death

We can all agree that the restrictions brought about by Covid have reinforced all the things we previously took for granted. Some miss their loved ones. Some miss the pulsating mass of warm strangers on an unplanned night out. Me? It turns out that I apparently miss the sight of a massive gorilla punching a radioactive sea monster right in the middle of its dumb face.

Related: Charlie Cox's Daredevil would be a welcome addition to the Marvel Cinematic Universe

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Keira Knightley: I won’t shoot any more sex scenes directed by men

The actor says she feels very uncomfortable trying to portray the male gaze and says she’s ‘too vain’ to shoot intimate scenes

Keira Knightley has expressed her discomfort with shooting intimate scenes, saying that she will no longer do so if the film is directed by a man.

In conversation with director Lulu Wang and writer-producer Diane Solway on the Chanel Connects podcast, Knightley credited the “male gaze” and her own personal vanity with the decision.

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James Bond film No Time to Die delayed again over Covid

Daniel Craig’s final outing as 007 hit by coronavirus disruption, along with Ghostbusters sequel and Cinderella

James Bond film No Time To Die has been delayed again as Hollywood grapples with the continued disruption caused by the pandemic.

Daniel Craig’s final outing as 007 will now arrive on 8 October, the official Bond Twitter account announced. It had been set to be released in April following multiple pandemic-enforced delays.

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‘I’ll never forget the silence on set’: revisiting the Srebrenica massacre

The devastating drama Quo Vadis, Aida? explores the run-up to the 1995 genocide. Actor Jasna Đuričić hopes the film will accelerate the healing process

In July 1995, the Serbian actor Jasna Đuričić was 29 and juggling a theatre career in Novi Sad with the demands of her new baby daughter. Just over 100 miles away in the UN-declared safe area of Srebrenica, more than 8,000 men and boys were being slaughtered by Bosnian Serb death squads, right under the noses of the Dutch military peacekeepers assigned to protect them. It was the culmination of a sustained and brutal campaign of ethnic cleansing.

“We didn’t know anything then about what was happening in Srebrenica,” Đuričić says. “It was around five years later that there were rumours emerging about the mass graves, but we were a country isolated from the media. Everything was state-controlled. You couldn’t hear or see anything outside what they wanted you to see.”

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‘Come with me if you want to live’: Schwarzenegger receives Covid-19 vaccine – video

Hollywood star and former California governor Arnold Schwarzenegger shared a video of himself receiving his first dose of the Covid-19 vaccine. The 73-year-old visited a vaccination clinic at Dodger stadium in Los Angeles after residents aged 65 and over were able to receive dosages. The star of the Terminator franchise encouraged others to receive the vaccine, using one of the series' famous catchphrases: 'Come with me if you want to live'

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Why a Willy Wonka origins movie could be bad news for children – and Michael Aspel

Will Paul King’s planned prequel follow in the pawprints of Paddington? Or might it stick closer to Warner Bros’ most recent origins hit: Joker?

It was announced this week that Warner Bros has greenlit what might arguably qualify as the most pointless film in cinema history: a Willy Wonka origin story.

The film called Wonka will be released in 2023, it has been in development for the last four years and there are plans to shoot in the UK in September. No casting decisions have been announced, although both Tom Holland and Timothée Chalamet have been linked to the lead role. That is currently all we know, apart from the fact that it will be terrible.

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Cobra Kai: from dumped YouTube gambit to Netflix smash hit

Turning a sequel to The Karate Kid into a TV series might not have sounded wise but this blockbuster show has found life in a tired franchise

A modern TV reboot of classic 80s teen film The Karate Kid sounds like an almost comically bad idea. It’s the sort of suggestion you can imagine a creatively desperate TV executive leaving for himself in a panicky Partridgean voice note while drunk on a Tuesday night. So many ways it could go spectacularly wrong, and virtually none where it could go right. And yet, with that very same back-of-a-fag-packet premise, Cobra Kai – the smash new Netflix series – has gone miraculously right, racking up 73 million viewers, according to the streamer’s latest figures.

Related: 'There's chunks of wisdom': How The Karate Kid launched MMA careers

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