Warsan Shire talks to Bernardine Evaristo about becoming a superstar poet: ‘Beyoncé sent flowers when my children were born’

One is a breakout poet, the other is a Booker-winning champion of Black talent. They swap notes on class, impostor syndrome and the day pop’s biggest star came knocking

When an email from Beyoncé’s office first landed in Warsan Shire’s inbox, she assumed it was some kind of prank. It wasn’t. Beyoncé – the real Beyoncé – was inviting Shire, a 27-year-old British-Somali poet from Wembley, north-west London, to collaborate. The result was the revolutionary 2016 visual album Lemonade, on which Shire is credited with “film adaptation and poetry”; her verses are read aloud between songs. Shire has also since contributed work to Beyoncé’s 2020 film Black is King and wrote a specially commissioned poem, I Have Three Hearts, to announce the singer’s 2017 pregnancy with twins.

But even before Beyoncé came knocking, Shire was starward bound. After a responsibility-laden adolescence, spent combining writing with co-parenting her three younger siblings, Shire published her debut chapbook of poems, Teaching My Mother How to Give Birth in 2011, aged just 23. In 2013, she was appointed the first Young People’s Laureate for London and in 2015, her poem Home became a viral anthem for the refugee crisis. Shire’s first full poetry collection, Bless the Daughter Raised by a Voice in Her Head, comes out next month. In between these professional milestones, she also found time to meet and marry a Mexican American charity worker called Andres, move continents, and have two children.

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‘A symbol of new beginning’: Mosul’s university library reopens

The institution suffered a devastating attack by Islamic State in 2014. Eight years on, an international effort has seen it reopen as ‘a lighthouse of knowledge’

The university library in Mosul, which was bombed by Islamic State militants, has opened its doors again, describing itself as a “lighthouse of knowledge” which is “once again burning bright”.

Founded in 1921, the library was ransacked and bombarded by missiles during the IS occupation of the city, with an estimated 8,000 to 10,000 books and manuscripts destroyed. It was reopened on 19 February by the United Nations Development Programme (UNDP), with financial support from Germany and book donations from around the world, including over 20,000 from the UK.

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The big idea: how can we adapt to life with rising seas?

Traditional defences may fail, and migration won’t be possible for everyone. But we may yet find more creative ways to live


We have passed the point of no return: rising seas will soon directly affect hundreds of millions of people around the planet. They will indirectly affect many millions more as transport connections, water supplies and factories in low-lying areas are lost or have to be relocated. What exactly are we facing? The latest research suggests we are likely to see a rise of a metre by the year 2100. Given how much carbon dioxide is already in the air and oceans, as much as three metres may be baked in over the 200 years or so that follow. And while that might seem like a long way off, coastal groundwater levels will rise much sooner, wrecking infrastructure and causing toxic pollution well before cities such as Miami, New York and San Francisco are permanently inundated.

Where will all those people, warehouses, water treatment plants and rail lines move to, given that the interior of large land masses will have become drier? The forced migration of hundreds of millions of people will undoubtedly lead to serious international conflict over space and basic resources like fresh water. Conflict is another word for war.

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Ideas to change the world: Margaret Atwood talks to seven visionaries fighting for a brighter future

The author’s hand-picked panel share their ideas on music, mushrooms, zombies and more

What do you get when you bring together some of the most revered thinkers, most progressive-minded activists and one of the most celebrated novelists writing today to discuss the immense challenges we face? A debate about the Spice Girls, of course! For the Guardian’s Saturday magazine, Margaret Atwood wanted to gather some of her favourite experts from around the globe, to ask how they see the world we live in – and what they believe is key to creating the future they want to see.

The lineup included bestselling author Raj Patel, dubbed the “rock star of social justice writing”; Senator Yvonne Boyer, the first Indigenous person appointed to the Canadian senate from Ontario; Akala, a writer, musician and poet; the excellently named Merlin Sheldrake, an expert on fungi; Kate Fletcher, whose speciality is sustainable fashion; Jessie Housty, a young Indigenous activist with a focus on decolonisation and community; and Yasmeen Hassan of Equality Now, which works to combat gender discrimination. The panel, hand-picked by Atwood, reflects the many disparate subjects the author is passionate about, and she was as keen to hear from them as they were to understand her vision and ideas.

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Margaret Atwood on feminism, culture wars and speaking her mind: ‘I’m very willing to listen, but not to be scammed’

At 82, the Canadian author has seen it all - and her novels predicted most of it. Just don’t presume you know what she thinks, she tells Hadley Freeman

‘How are you? You’re named after Ernest Hemingway’s first wife,” Margaret Atwood announces by way of a greeting when we meet on a hotel’s heated patio near her home in Toronto. Atwood, 82, has often been described as a prophet, thanks to her uncanny ability to foresee the future in her books. When Trump supporters stormed the Capitol in January 2021, it looked, terrifyingly, like a scene out of The Handmaid’s Tale, when the government is overthrown and the dystopian land of Gilead is founded. She seemingly predicted the 2008 financial crash in her nonfiction book Payback: Debt and the Shadow Side of Wealth, published that year. Atwood has always scoffed at any suggestion of telepathy, pointing out that every atrocity in The Handmaid’s Tale had been carried out by totalitarian regimes in real life, and she “predicted” the crash by noticing the number of adverts offering to help people with their personal debt. But as she stands in front of me, snowflakes glittering around her like stars, the flames of the hotel’s gas heaters leaping on either side of her, dressed all in black save for her little red hat, correctly guessing who I’m named after, she certainly seems to have a touch of magic about her. How did she know about the Hemingway connection?

“Because I’m deep into Martha Gellhorn,” she says, launching into a long discussion about the celebrated war correspondent and Hemingway’s third wife. Atwood isn’t writing a book about Gellhorn (yet), but she found a letter from her to the father of her late partner, Graeme Gibson, who died in 2019, and is now a Gellhornologist. After six or so minutes, I wonder if we’ll ever talk about anything else, but Atwood has a regal quality that makes interruption unthinkable. It does not, as I later learn, render argument impossible.

I don’t like to favouritise my books. The others would be out to get you: ‘How could you? I spent all this time with you!’

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Audrey Hepburn’s 20 greatest films – ranked!

On the 65th anniversary of Funny Face, we run down the Givenchy girl’s best moments – from upstaging her (usually much older) leading men to literally representing heaven in a dazzling white cable-knit

This exotic MGM romance directed by Hepburn’s then husband, Mel Ferrer, was in fact her first big flop. Anthony Perkins plays a Venezuelan refugee whose life is saved by Rima the jungle girl: Hepburn in a suede pixie tunic, accessorised with a pet fawn and backed by a supporting cast in brownface.

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The Chaperone review – dishing dirt in well-turned hats and hair

Semi-true story from Julian Fellowes sets churchgoing Kansas lady the challenge of keeping the girl about to become Louise Brooks in line in 1920s New York

Written by Julian Fellowes, who brought us Downton Abbey and recent series The Gilded Age, and directed by Michael Engler, who worked on both the aforementioned, this based-extremely-loosely-on-fact costume drama adapted from a novel by Laura Moriarty should hit the sweet spot for fans of Fellowes’ particular variety of saucy-soapy period pieces. Like so much of Fellowes’ work, it effectively flatters the viewer by assuming he or she must be familiar with certain historical figures (in this case, early cinema star Louise Brooks) and then appears to dish the dirt on them through the eyes of a character from another class or at least different social sphere.

Here, that parallax view is from the perspective of Norma – played by Lady Grantham herself, Elizabeth McGovern, taking a lead role for a change. When first met in 1922 in Wichita, Kansas, Norma seems like a nice, churchgoing lady of a certain age, respectably married to a lawyer (Campbell Scott) and mother of two practically grownup sons. When she hears that local pianist Myra Brooks (Victoria Hill) is in search of a chaperone to accompany her precocious but exceedingly talented teenage daughter Louise (Haley Lu Richardson) to New York to attend a prestigious dance school, Norma mysteriously jumps at the chance. Turns out she has a good reason: she was actually raised in an orphanage there for a short while before being adopted by kindly midwestern farmers, and now wants to find her birth parents.

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‘A certain pleasant darkness’: what makes a good fictional sex scene?

The novelist Niamh Campbell on why describing intimacy is so difficult and how creative writing about sexuality is changing. Plus, she picks 10 of her favourite examples

One of my favourite literary sex scenes is a swift and quiet one. In Colm Tóibín’s The Pearl Fishers, a gay man having dinner with a former lover and this lover’s – fanatically Catholic – wife thinks, with a flash of candidness, of anilingus past. It doesn’t read like a calculated shock, just pleasure; the story moves on and the image melts out. No point is made, nobody humiliated, no corny gotcha! occurs. There are only three people: one deceiving (husband), one pious (wife) and one emboldened but alone. The point is nuanced humanity. It’s hot.

It has been remarked upon that recent writing about sex by, in the main, young women tends towards the squalid, abject and confrontational. I can tell you that this partly down to the fact that app-based erotic culture in the metropolises of late capitalism really can be squalid, abject and confrontational. If people’s lives become miserable mills of boredom and humiliation they will tend to take it out on one another. I know this because I am Irish. People think this country was deranged for most of the 20th century by the church, but it was also deranged by poverty and, relatedly, shame. #NotallIrish of course; some people belonged to a more sex-positive cosmopolitan elite class, some were able to smuggle in condoms. And yet, the fact that it still feels impossible to discuss sex and Ireland without mentioning penitentiary laundries says a lot.

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The big idea: is it time to stop worrying about stress?

Our beliefs about difficult feelings may do more damage than the feelings themselves

In the late 19th-century America, a somewhat bizarre form of abstinence emerged. The vice was not alcohol but anxiety. Citizens of New York began to attend regular “Don’t Worry Clubs” in which they encouraged each other to look on the bright side of life. Their founder, Theodore Seward, argued that Americans were “slaves to the worrying habit”, which was the “enemy which destroys happiness”. It needed to be “attacked” with “resolute and persevering effort”.

By the early 20th century, the psychologist William James described how people had developed a kind of “religion of healthy-mindedness” with the aim of turning the mind away from all negative thoughts and feelings.

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Myanmar’s first literary work since coup reveals ‘courage and altruism’ of writers

Picking Off New Shoots Will Not Stop the Spring was born from a desire to preserve online expressions of outrage, grief and dissent, say editors

The first literary work to emerge from Myanmar since the military seized control of the country a year ago reveals the altruism and courage of a new generation of writers, its editor has said.

Picking Off New Shoots Will Not Stop the Spring is an anthology of poems and essays, many of which were written during the military crackdown after last February’s coup. Others date from 1988 to 2020.

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Too close for comfort: the pitfalls of parasocial relationships

Social media means adoring fans can keep up with the ins and outs of their favourite celebrities. But for those in the public eye, a dedicated fanbase isn’t always all it’s cracked up to be – especially for women

A few years ago, I had a fan. She had read my writing and listened to my podcast, and often replied warmly to my tweets. Occasionally, she would send me private messages, and eventually I started following her back. It was nice. At some point, the volume of communication increased – I began receiving emails, and the notifications and messages spread to Instagram. Then they grew more frequent, uncomfortably so. She wanted things from me: to work for me, to meet up with me, to know how my weekend had gone, to tell me how hers had gone, to tell me about the job she disliked, for me to help her with a project she was launching.

My heart began to sink whenever I saw her name appear on my phone and I started responding less and less in the hope of discouraging her overtures. Then she came to an event I’d organised – the first time we’d actually met – and to my mortification, presented me with a bundle of gifts (which I obviously sent a thank you message for – I’m not a monster).

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I’ll fight to overturn US ban on my ‘Queer Bible’, says British author

Former model Jack Guinness caught up in furore over Mississippi mayor’s attempt to withhold funding for library until ‘homosexual materials’ are withdrawn

A British writer, presenter and former model says he is shocked to find himself at the centre of an unprecedented wave of book banning in the US.

A Mississippi mayor has told the Madison County Library to remove LGBTQ+ books from its shelves or lose funding. One of the books singled out as an example was The Queer Bible, a collection of LGBTQ+ history essays edited by Jack Guinness. Ridgeland’s Republican mayor, Gene McGee, has refused to release funds to the library until “homosexual materials” are withdrawn.

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Dr Julie Smith: ‘Mental health is no different to physical health. No one is immune’

The clinical psychologist has 3 million followers for her self-help TikToks and now her book is a bestseller. She talks about social media, the pandemic and the simple tools that really help

Dr Julie Smith, 37, is a clinical psychologist who has a private practice in Hampshire and has spent 10 years working for the NHS. In November 2019, she started making TikToks containing clear, engaging advice about various mental health issues. She has more than 3 million followers and in January published her first book, Why Has Nobody Told Me This Before?, which has spent four weeks at the top of bestseller lists.

There are a lot of self-help books published; why do you think yours has struck a chord?
I think people like the fact that it’s evidence-based. I’m a clinical psychologist, so the things I’ve put in there have been scrutinised with the latest research and they are things that are taught to people in therapy, depending on what they’re going to therapy for. They are also life skills that we can all use.

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The Great Gapsby? How modern editions of classics lost the plot

F Scott Fitzgerald’s masterpiece is the latest title to appear in a cheap modern version after copyright expires

“So we beat on, boats against the current, borne back ceaselessly into the past.” It is one of the most memorable literary payoffs in history, the end of F Scott Fitzgerald’s defining novel of the 20th century, The Great Gatsby.

Yet this famous ending will be lost to many readers thanks to the proliferation of substandard editions, one of which loses the last three pages and instead finishes tantalisingly halfway through a paragraph.

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Margaret Atwood joins writers calling for urgent action over missing Rwandan poet

More than 100 authors from around the world have written to the Rwandan president about the case of Innocent Bahati, who disappeared a year ago today

Margaret Atwood, Ben Okri and JM Coetzee have joined more than 100 writers from around the world in calling on the Rwandan president to intervene in the case of the poet Innocent Bahati, who disappeared one year ago today.

According to human rights organisation PEN International, Bahati was last seen at a hotel in Nyanza district, in the Southern Province of Rwanda, on 7 February 2021. The poet, who is well-known in Rwanda and had published poetry on YouTube and Facebook, as well as regularly performing at live events, failed to return to Kigali, and his phones have been switched off since.

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Death on the Nile review – Kenneth Branagh makes heavy weather of Christie caper

Branagh’s spirited performance as Poirot and a big-name ensemble cast can’t keep this stale and two-dimensional whodunnit afloat

Long coronavirally delayed, Kenneth Branagh’s latest Agatha Christie movie puffs effortfully into harbour. It’s the classic whodunnit about a murder on a steamer making its way down the river in Egypt with an Anglo-American boatful of waxy-faced cameos aboard. The horrible homicide means that one of the passengers will have to spring into action, and this is of course the amply moustached Hercule Poirot, played by Branagh himself. It is Poirot who interviews suspects, supervises corpse-storage in the ship’s galley freezer cabinet and delivers the final unmasking – and all without the captain insisting that the Egyptian police should possibly get involved.

Screenwriter Michael Green has adapted the 1937 novel with some new inventions: some people of colour are introduced, and Christie’s intense dislike for her wealthy-hypocrite leftwing character has been dialled down. Most startlingly, Green invents a very good prelude showing the young Poirot’s service in the trenches of the first world war, and the origin of that moustache. Nothing in the rest of this rather stale and two-dimensional tale matches the brio of that opening.

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‘Adults are banning books, but they’re not asking our opinions’: meet the teens of the Banned Book Club

Conservatives are pushing to ban books from school libraries. At a time of crisis, a group of Pennsylvania teenagers are fighting back

“Napoleon’s use of the sheep was notable,” says Jordan Daughtry, 14. She’s clutching a copy of Animal Farm, and referring to the authoritarian Berkshire boar who seizes control of an English acreage, before bending his fellow animals to his will.

The sheep, who represent the unwitting masses in George Orwell’s critique of Joseph Stalin’s totalitarian rule, are “ignorant buffoons”, Daughtry says.

Kiara Daughtry, left, and Lena Cackley.

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Forget Wordle! Can you crack the Dickens Code? An IT worker from California just did

The writer’s archaic shorthand has baffled experts for over a century. So they launched a deciphering competition for fans – with stunning results that cast new light on his love life and financial peril

Despite all the precision he brought to bear on his intricate plots, Charles Dickens was a notoriously messy writer. His manuscripts are full of inky splodges, with barely legible alterations crammed in between scrawled, sloping lines. Worse still was his love of a type of shorthand dating from the 1700s. To this, he added his own chaotic modifications to create what he called “the devil’s handwriting”.

Fond of puzzles and codes, the great Victorian writer used these time-saving hieroglyphics to make notes and copies of his letters and documents, reams of which he burned. Academics are still toiling to decipher 10 shorthand manuscripts that survived. Forget Wordle. This is the Dickens Code. And for a long time, it had seemed uncrackable.

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Red poets’ society: the secret history of the Stasi’s book club for spies

For seven years, the East German security service’s poetry group met in Berlin to discuss literature. But there was more to it than just learning about iambic pentameter

At the height of the tense second phase of the cold war, a group of Stasi majors, propaganda officers and border guards convened at a heavily fortified compound in socialist east Berlin. From spring 1982 until winter 1989, they gathered once every four weeks, from 4pm until 6pm, at the House of Culture inside the premises of the Felix Dzerzhinsky Guards Regiment (the Stasi’s paramilitary wing), in Berlin’s Adlershof district. They met in a first-floor room adorned with portraits of East German leader Erich Honecker and Vladimir Ilyich Lenin that was closed with a security seal overnight.

But the Stasi men did not gather to gameplan nuclear war scenarios, work up disinformation campaigns or fine-tune infiltration techniques. They set out to learn about iambic pentameter, cross-rhyming schemes and Petrarchan sonnets. The group, which internal memos referred to as the Working Circle of Writing Chekists (a reference to the fearsome Bolshevist secret police, the Cheka), produced two anthologies over this seven-year period. I got hold of a copy of one shortly before I moved to Berlin in 2016. The slim paperback, its title Wir Über Uns (“We about us”) falling down the front page in curling calligraphic letters, felt like something out of a Monty Python sketch, or a spin-off from the film The Lives of Others. How had a secret police synonymous with the suppression of free thought ended up writing poetry? Over the coming months I tried to track down former members of the circles, and contacted them to see if they could tell me more.

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