Delia Smith: ‘The world is in chaos… but together we have such power’

At 80, Britain’s queen of cookery has written a surprising new book about spirituality that was turned down by six publishers. She talks about meditation, MasterChef and her beloved Norwich FC

Why is it so exciting – and so nerve-racking – to be meeting Delia Smith? Down the years, I’ve interviewed a lot of famous and important people (and three prime ministers), and yet I can’t remember any of them having induced this combination of extreme eagerness and mortal fear. Is it because when I was a teenager, she was one of the very few truly successful women then in public life? I suppose it must be. It’s no exaggeration to say that she was up there with the Queen, Mrs Thatcher and Madonna – and just like them, her word was The Law. For my 21st birthday, my parents gave me a cheque and a copy of Delia Smith’s Complete Cookery Course, and for all that I was still in my radical feminist stage, I hardly batted an eyelid. Simone de Beauvoir was all very well, but did she have any advice on roasting times or how to make sure your yorkshire puddings rise? No, she did not.

Anyway, one result of this desperate, anxious state was that I stupidly decided to bake a cake for her – my God, even to write such words – and when I arrive at her cottage, the conservatory of which I recognise from the TV shows she once presented there, the very first thing I do is hand it over. “It’s a bit … flat,” I say, mournfully (for those who are interested, it’s Nigella’s ordinarily easy-peasy cardamon and marzipan loaf). But it seems that I’m worrying unnecessarily. Delia looks completely delighted by my foil-wrapped house brick, cradling it in her arms as if it was a newborn baby. “You used good ingredients,” she says, kindly. “It will still taste nice.” Cooking isn’t about perfection, she tells me; it’s about achievability. “I once went to a Women’s Institute thing, and I remember thinking: I’m not at all sure my jam would pass muster here.”

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‘I felt different as a child. I was nearly mute’: Elena Ferrante in conversation with Elizabeth Strout

The author of the Neapolitan quartet and the Pulitzer prize-winning novelist discuss identity, ambition, truth – and the ‘convulsive’ urge to write

Thank you for all of your work. I am a huge fan, and I have read all your books, and by reading them I was able to take new risks with my own work. So thank you for that as well. In this new book you go deep, deep into the things that matter for readers and writers alike. I am very glad to be in a conversation with you about it.

“And your novel?”

“Oh, I put in my hand and rummage in the bran pie.”

“That’s what’s so wonderful. And it’s all different.”

“Yes, I’m 20 people.”

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Viet Thanh Nguyen: ‘I didn’t notice the racism of Tintin’

The Pulitzer prize-winning novelist on the depiction of Vietnamese people, the fun in Voltaire’s Candide and memorable masturbation scenes

My earliest reading memory
The first books I remember reading were from the public library in Harrisburg, Pennsylvania, where my family came as refugees from Vietnam in 1975. I vividly recall Maurice Sendak’s Where the Wild Things Are, which I read at six years of age, but unlike most children, I didn’t like it. The story of a boy who flees home on a boat and finds himself among foreign creatures was too dark for me. Perhaps it was too close to reality.

My favourite book growing up
The Tintin series by Hergé. The books were so beautifully drawn and told, with memorable characters and adventures in exotic lands. The stories were captivating.I loved the exoticism but didn’t notice the racism and colonialism. I’ve given the books to my eight-year-old son and he loves them, too, but I make sure we discuss the problems.

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‘My baby brother threw up on my jacket’: readers’ World Book Day costume stories

From a failed attempt to dress as Hermione Granger to a Hungry Caterpillar who truly committed to the role, parents and former students on the mad dash to put together a literary outfit

A few years ago my son’s school organised a World Book Day in which pupils were asked to turn up in costume. Two kids turned up wearing full Viking outfits, complete with plastic axes and horned helmets. They looked brilliant. Only trouble was their parents had got the day wrong: they turned up in costume the day before the actual event, and as they had been dropped off by taxi, they had to spend the first part of the day in costume while their fellow pupils were in normal school uniform.
Phil Jones, Surrey

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Eighty-year-old study of British slave trade is back in the bestsellers list

Capitalism and Slavery, by the future first prime minister of Trinidad and Tobago Eric Williams, argues that the abolition of slavery was motivated by economic, not moral, concerns

A book of unpalatable truths about Britain’s slave trade has become a UK bestseller, almost 80 years after author Eric Williams was told by a British publisher: “I would never publish such a book, for it would be contrary to the British tradition.”

Capitalism and Slavery was first published in the US in 1944. It was published in the UK by the independent publisher André Deutsch in 1964, with a number of reprints over the next 20 years.

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The big idea: is it time to stop talking about ‘nature versus nurture’?

The latest science shows that genes and environment are ​too deeply entwined to pit them against one another

When you hear people conversing in an unfamiliar language, why is it that you can’t even tell where one word ends and the next begins? If you are a native English speaker, why is it so challenging to get your mouth around a French or Hebrew “r”, which originates lower in the throat, or the “r” in Spanish or Italian, which is trilled on the tip of the tongue? Your ability to hear and make sounds, and to understand their meaning as language, is wired into your brain. How you acquire that wiring illuminates an age-old debate about human nature.

In the first few months of your life, your infant brain is bathed in all kinds of information from the world around you, through your senses. This sense data causes changes in your brain as your neurons fire in various patterns. Some collections of neurons fire together frequently, strengthening or tuning their connections and aiding learning. Others are used less and are pruned away, making room for more useful ones to form. This process of tuning and pruning is called plasticity, and it happens throughout your life, but enormously in the first few years.

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Toni Morrison novel The Bluest Eye off banned list in St Louis schools

Nobel laureate’s classic debut was removed from libraries but backlash and lawsuits prompted vote to restore

A banned book by the Nobel laureate Toni Morrison will be available again to high school students in a district in St Louis, Missouri, after the Wentzville school board reversed its decision to ban The Bluest Eye, in the face of criticism and a class-action lawsuit.

The board made national news last month when it voted 4-3 to removed the book from school libraries, citing themes of racism, incest and child molestation.

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Miss the office? Michael Schur – master of the workplace sitcom – on why we should relish our return

As we slowly rediscover a world of bad wifi and slow lifts, the US Office writer and creator of Parks and Recreation and Brooklyn Nine-Nine explains why he can’t wait to get back

One of the first things we knew back in early 2020 was that we wouldn’t be going to work for a while. We thought that we would take a quick break – a week, maybe – and then reassess. So we cleaned out our cubicles and desks, and grabbed a few snacks from the kitchen (and toilet paper from the bathroom). One week became two, which became a month, which became a series of question marks spanning endlessly into the future, as the Zooms and FaceTimes and home office conversions gradually made the very idea of spending our workdays with other people seem like a quaint memory. Like childhood birthday parties, or answering machines, or properly functioning democracy.

Some of us might never go back. Every so often we will hear about companies reassessing their relationship to the office, which has been proved unnecessary or at least outdated.

‘In 1987,’ photographer Steven Ahlgren says, ‘when I was bored and unfulfilled, working as a banker in Minneapolis, I began taking frequent trips to look at a painting by Edward Hopper, Office at Night. What first drew me was its setting, which I related to each and every workday at the bank. But what kept pulling me back was its ambiguous narrative – who were these two people, what was their relationship, and why was the woman looking at that piece of paper on the floor?’

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Warsan Shire talks to Bernardine Evaristo about becoming a superstar poet: ‘Beyoncé sent flowers when my children were born’

One is a breakout poet, the other is a Booker-winning champion of Black talent. They swap notes on class, impostor syndrome and the day pop’s biggest star came knocking

When an email from Beyoncé’s office first landed in Warsan Shire’s inbox, she assumed it was some kind of prank. It wasn’t. Beyoncé – the real Beyoncé – was inviting Shire, a 27-year-old British-Somali poet from Wembley, north-west London, to collaborate. The result was the revolutionary 2016 visual album Lemonade, on which Shire is credited with “film adaptation and poetry”; her verses are read aloud between songs. Shire has also since contributed work to Beyoncé’s 2020 film Black is King and wrote a specially commissioned poem, I Have Three Hearts, to announce the singer’s 2017 pregnancy with twins.

But even before Beyoncé came knocking, Shire was starward bound. After a responsibility-laden adolescence, spent combining writing with co-parenting her three younger siblings, Shire published her debut chapbook of poems, Teaching My Mother How to Give Birth in 2011, aged just 23. In 2013, she was appointed the first Young People’s Laureate for London and in 2015, her poem Home became a viral anthem for the refugee crisis. Shire’s first full poetry collection, Bless the Daughter Raised by a Voice in Her Head, comes out next month. In between these professional milestones, she also found time to meet and marry a Mexican American charity worker called Andres, move continents, and have two children.

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‘A symbol of new beginning’: Mosul’s university library reopens

The institution suffered a devastating attack by Islamic State in 2014. Eight years on, an international effort has seen it reopen as ‘a lighthouse of knowledge’

The university library in Mosul, which was bombed by Islamic State militants, has opened its doors again, describing itself as a “lighthouse of knowledge” which is “once again burning bright”.

Founded in 1921, the library was ransacked and bombarded by missiles during the IS occupation of the city, with an estimated 8,000 to 10,000 books and manuscripts destroyed. It was reopened on 19 February by the United Nations Development Programme (UNDP), with financial support from Germany and book donations from around the world, including over 20,000 from the UK.

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The big idea: how can we adapt to life with rising seas?

Traditional defences may fail, and migration won’t be possible for everyone. But we may yet find more creative ways to live


We have passed the point of no return: rising seas will soon directly affect hundreds of millions of people around the planet. They will indirectly affect many millions more as transport connections, water supplies and factories in low-lying areas are lost or have to be relocated. What exactly are we facing? The latest research suggests we are likely to see a rise of a metre by the year 2100. Given how much carbon dioxide is already in the air and oceans, as much as three metres may be baked in over the 200 years or so that follow. And while that might seem like a long way off, coastal groundwater levels will rise much sooner, wrecking infrastructure and causing toxic pollution well before cities such as Miami, New York and San Francisco are permanently inundated.

Where will all those people, warehouses, water treatment plants and rail lines move to, given that the interior of large land masses will have become drier? The forced migration of hundreds of millions of people will undoubtedly lead to serious international conflict over space and basic resources like fresh water. Conflict is another word for war.

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Ideas to change the world: Margaret Atwood talks to seven visionaries fighting for a brighter future

The author’s hand-picked panel share their ideas on music, mushrooms, zombies and more

What do you get when you bring together some of the most revered thinkers, most progressive-minded activists and one of the most celebrated novelists writing today to discuss the immense challenges we face? A debate about the Spice Girls, of course! For the Guardian’s Saturday magazine, Margaret Atwood wanted to gather some of her favourite experts from around the globe, to ask how they see the world we live in – and what they believe is key to creating the future they want to see.

The lineup included bestselling author Raj Patel, dubbed the “rock star of social justice writing”; Senator Yvonne Boyer, the first Indigenous person appointed to the Canadian senate from Ontario; Akala, a writer, musician and poet; the excellently named Merlin Sheldrake, an expert on fungi; Kate Fletcher, whose speciality is sustainable fashion; Jessie Housty, a young Indigenous activist with a focus on decolonisation and community; and Yasmeen Hassan of Equality Now, which works to combat gender discrimination. The panel, hand-picked by Atwood, reflects the many disparate subjects the author is passionate about, and she was as keen to hear from them as they were to understand her vision and ideas.

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Margaret Atwood on feminism, culture wars and speaking her mind: ‘I’m very willing to listen, but not to be scammed’

At 82, the Canadian author has seen it all - and her novels predicted most of it. Just don’t presume you know what she thinks, she tells Hadley Freeman

‘How are you? You’re named after Ernest Hemingway’s first wife,” Margaret Atwood announces by way of a greeting when we meet on a hotel’s heated patio near her home in Toronto. Atwood, 82, has often been described as a prophet, thanks to her uncanny ability to foresee the future in her books. When Trump supporters stormed the Capitol in January 2021, it looked, terrifyingly, like a scene out of The Handmaid’s Tale, when the government is overthrown and the dystopian land of Gilead is founded. She seemingly predicted the 2008 financial crash in her nonfiction book Payback: Debt and the Shadow Side of Wealth, published that year. Atwood has always scoffed at any suggestion of telepathy, pointing out that every atrocity in The Handmaid’s Tale had been carried out by totalitarian regimes in real life, and she “predicted” the crash by noticing the number of adverts offering to help people with their personal debt. But as she stands in front of me, snowflakes glittering around her like stars, the flames of the hotel’s gas heaters leaping on either side of her, dressed all in black save for her little red hat, correctly guessing who I’m named after, she certainly seems to have a touch of magic about her. How did she know about the Hemingway connection?

“Because I’m deep into Martha Gellhorn,” she says, launching into a long discussion about the celebrated war correspondent and Hemingway’s third wife. Atwood isn’t writing a book about Gellhorn (yet), but she found a letter from her to the father of her late partner, Graeme Gibson, who died in 2019, and is now a Gellhornologist. After six or so minutes, I wonder if we’ll ever talk about anything else, but Atwood has a regal quality that makes interruption unthinkable. It does not, as I later learn, render argument impossible.

I don’t like to favouritise my books. The others would be out to get you: ‘How could you? I spent all this time with you!’

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Audrey Hepburn’s 20 greatest films – ranked!

On the 65th anniversary of Funny Face, we run down the Givenchy girl’s best moments – from upstaging her (usually much older) leading men to literally representing heaven in a dazzling white cable-knit

This exotic MGM romance directed by Hepburn’s then husband, Mel Ferrer, was in fact her first big flop. Anthony Perkins plays a Venezuelan refugee whose life is saved by Rima the jungle girl: Hepburn in a suede pixie tunic, accessorised with a pet fawn and backed by a supporting cast in brownface.

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The Chaperone review – dishing dirt in well-turned hats and hair

Semi-true story from Julian Fellowes sets churchgoing Kansas lady the challenge of keeping the girl about to become Louise Brooks in line in 1920s New York

Written by Julian Fellowes, who brought us Downton Abbey and recent series The Gilded Age, and directed by Michael Engler, who worked on both the aforementioned, this based-extremely-loosely-on-fact costume drama adapted from a novel by Laura Moriarty should hit the sweet spot for fans of Fellowes’ particular variety of saucy-soapy period pieces. Like so much of Fellowes’ work, it effectively flatters the viewer by assuming he or she must be familiar with certain historical figures (in this case, early cinema star Louise Brooks) and then appears to dish the dirt on them through the eyes of a character from another class or at least different social sphere.

Here, that parallax view is from the perspective of Norma – played by Lady Grantham herself, Elizabeth McGovern, taking a lead role for a change. When first met in 1922 in Wichita, Kansas, Norma seems like a nice, churchgoing lady of a certain age, respectably married to a lawyer (Campbell Scott) and mother of two practically grownup sons. When she hears that local pianist Myra Brooks (Victoria Hill) is in search of a chaperone to accompany her precocious but exceedingly talented teenage daughter Louise (Haley Lu Richardson) to New York to attend a prestigious dance school, Norma mysteriously jumps at the chance. Turns out she has a good reason: she was actually raised in an orphanage there for a short while before being adopted by kindly midwestern farmers, and now wants to find her birth parents.

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‘A certain pleasant darkness’: what makes a good fictional sex scene?

The novelist Niamh Campbell on why describing intimacy is so difficult and how creative writing about sexuality is changing. Plus, she picks 10 of her favourite examples

One of my favourite literary sex scenes is a swift and quiet one. In Colm Tóibín’s The Pearl Fishers, a gay man having dinner with a former lover and this lover’s – fanatically Catholic – wife thinks, with a flash of candidness, of anilingus past. It doesn’t read like a calculated shock, just pleasure; the story moves on and the image melts out. No point is made, nobody humiliated, no corny gotcha! occurs. There are only three people: one deceiving (husband), one pious (wife) and one emboldened but alone. The point is nuanced humanity. It’s hot.

It has been remarked upon that recent writing about sex by, in the main, young women tends towards the squalid, abject and confrontational. I can tell you that this partly down to the fact that app-based erotic culture in the metropolises of late capitalism really can be squalid, abject and confrontational. If people’s lives become miserable mills of boredom and humiliation they will tend to take it out on one another. I know this because I am Irish. People think this country was deranged for most of the 20th century by the church, but it was also deranged by poverty and, relatedly, shame. #NotallIrish of course; some people belonged to a more sex-positive cosmopolitan elite class, some were able to smuggle in condoms. And yet, the fact that it still feels impossible to discuss sex and Ireland without mentioning penitentiary laundries says a lot.

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The big idea: is it time to stop worrying about stress?

Our beliefs about difficult feelings may do more damage than the feelings themselves

In the late 19th-century America, a somewhat bizarre form of abstinence emerged. The vice was not alcohol but anxiety. Citizens of New York began to attend regular “Don’t Worry Clubs” in which they encouraged each other to look on the bright side of life. Their founder, Theodore Seward, argued that Americans were “slaves to the worrying habit”, which was the “enemy which destroys happiness”. It needed to be “attacked” with “resolute and persevering effort”.

By the early 20th century, the psychologist William James described how people had developed a kind of “religion of healthy-mindedness” with the aim of turning the mind away from all negative thoughts and feelings.

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Myanmar’s first literary work since coup reveals ‘courage and altruism’ of writers

Picking Off New Shoots Will Not Stop the Spring was born from a desire to preserve online expressions of outrage, grief and dissent, say editors

The first literary work to emerge from Myanmar since the military seized control of the country a year ago reveals the altruism and courage of a new generation of writers, its editor has said.

Picking Off New Shoots Will Not Stop the Spring is an anthology of poems and essays, many of which were written during the military crackdown after last February’s coup. Others date from 1988 to 2020.

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Too close for comfort: the pitfalls of parasocial relationships

Social media means adoring fans can keep up with the ins and outs of their favourite celebrities. But for those in the public eye, a dedicated fanbase isn’t always all it’s cracked up to be – especially for women

A few years ago, I had a fan. She had read my writing and listened to my podcast, and often replied warmly to my tweets. Occasionally, she would send me private messages, and eventually I started following her back. It was nice. At some point, the volume of communication increased – I began receiving emails, and the notifications and messages spread to Instagram. Then they grew more frequent, uncomfortably so. She wanted things from me: to work for me, to meet up with me, to know how my weekend had gone, to tell me how hers had gone, to tell me about the job she disliked, for me to help her with a project she was launching.

My heart began to sink whenever I saw her name appear on my phone and I started responding less and less in the hope of discouraging her overtures. Then she came to an event I’d organised – the first time we’d actually met – and to my mortification, presented me with a bundle of gifts (which I obviously sent a thank you message for – I’m not a monster).

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