Beloved Australian soap Neighbours to come to an end after 37 years on air

The show where household names such as Margot Robbie and Kylie Minogue had their start will wrap for the last time in June

The Australian soap Neighbours will shoot its final scene in June following a record 37-year run, after producers Fremantle failed to secure another UK broadcaster.

The series, which launched the international careers of countless stars including Kylie Minogue, Jason Donovan, Margot Robbie and Guy Pearce, is the longest-running drama series on Australian television and was so popular in Britain it has been bankrolled by Channel 5 since 2008.

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Netflix to pause all projects and acquisitions in Russia

The streamer has halted work on four original series as a result of the ongoing invasion of Ukraine

Netflix has paused all future Russian projects and acquisitions as a result of the ongoing invasion of Ukraine.

According to Variety, the streamer is “assessing the impact of current events”, which has led to four Russian original series being indefinitely paused. Zato, a crime series set after the fall of the Soviet Union, directed by the Belarus-born director Darya Zhuk, was already in production but has now been put on hold.

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Patrick Stewart: ‘I’d go straight home and drink until I passed out’

As he beams aboard another Star Trek adventure, the 81-year-old actor talks about playing Picard as an intergalactic Prospero, hitting the bottle during an exhausting Macbeth – and reaching page 310 of his memoir


Patrick Stewart is slightly surprised to be talking about the impending second series of Star Trek: Picard, during a break from shooting the third in California. The reason is that he so firmly turned down the first season. After playing Captain Jean-Luc Picard, 24th-century hero of Starfleet, in 176 TV episodes of Star Trek: The Next Generation and four spin-off movies, Stewart was convinced that “I’d done everything I could with Picard and Star Trek”.

But the producers – Akiva Goldsman (A Beautiful Mind), Michael Chabon (Wonder Boys), Kirsten Beyer (Star Trek: Discovery), Alex Kurtzman (The Mummy) – persisted. And Stewart “took a look at the names, and there were Academy award and Pulitzer prize winners. So I thought the most courteous thing to do would be to have a meeting to tell them face to face why I was going to turn them down.”

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How did Euphoria become the most loved and hated show on TV?

The HBO teen drama’s second season is either a glorious mess or an excessive fantasy of high school. Either way, it’s a record-breaking hit

If you were anywhere near social media this past Sunday night, you probably at least glimpsed the divisive mess that was the second season finale of Euphoria, HBO’s technicolor, gleefully excessive soap on the outsized trials and tribulations of suburban California teens. After a buzzy and acclaimed but modestly watched debut in 2019, the show’s second season has blown up: HBO announced Tuesday that Euphoria, with help from its new streaming home on HBO Max, is now its second most watched show since 2004. It averaged 16.3 million viewers an episode this season, behind only OG HBO juggernaut Game of Thrones, which drew an average of 44.2 million viewers during its final season in 2019.

But perhaps more impressive, and telling, than its 2022 viewing stats is Euphoria’s digital footprint. According to Twitter, the drama is the most tweeted-about show of the (still young) decade, with 34m tweets in the US alone. This is by design: Euphoria, adapted by Sam Levinson from the Israeli show of the same name, is audacious in style, almost pugnaciously provocative in substance, with imitable peacocking fashion and easily memeable cutaways. In other words, catnip for the online crowd.

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Chernobyl: The Lost Tapes – stunning TV that is suddenly unmissable

Filmmaker James Jones had no idea when he started it two years ago that a terrible synchronicity would make his blistering documentary about the nuclear accident in northern Ukraine a must-watch

Had it been released at any point in the past few years, Chernobyl: The Lost Tapes would have been an important documentary; a feature-length blend of audio interviews and largely unseen archive footage that puts the 1986 disaster into horrifying new perspective. That it comes out now – just days after Russia launched a full-scale invasion of Ukraine, including an attack on the Chernobyl site itself – makes it as unmissable as it is harrowing.

Obviously, this timeliness was never the intention. Indeed, the film-maker James Jones had a different historical event in mind when he started work on it two years ago. “I initially thought the relevance was Covid,” he says. Like Chernobyl, the early days of the pandemic were marked with mysterious illnesses that the local government attempted to keep a lid on. “I was interested in the idea that this invisible enemy was threatening us,” he says. “An authoritarian regime was lying about it, and Chinese citizens were starting to voice their disquiet publicly.”

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Screen Actors Guild awards 2022: Squid Game, Will Smith and Coda win big

Netflix phenomenon and Apple’s deaf family drama make history at this year’s SAG awards ceremony

The indie drama Coda has won big at this year’s Screen Actors Guild awards, picking up best ensemble in a movie and best supporting actor for Troy Kotsur, who is the first ever deaf actor to win an individual SAG award.

The Apple drama about a deaf family was bought for $25m from last year’s Sundance film festival and has also been nominated for three Academy Awards, including best picture.

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Peaky Blinders review – Tommy Shelby’s back where we want him to be: in all kinds of trouble

It’s war on three fronts, across two continents for the Birmingham gang leader. Without his beloved Aunt Polly, will he be able to take it?

Man walks into a bar. Herringbone cap, baby face, topcoat flapping in silhouette, weaponry secreted in case things turn sour. Which they always do. “Glass of water, please,” he says. The French stereotypes at table four give him the evils. Nobody orders soft drinks in these parts if they know what’s good for them. You could cut the tension with a – well, a razor blade concealed in the brim of your cap would do the job.

It’s 1933, in a remote outpost of la Francophonie called Miquelon Island, which, as you know, is just off the coast of Newfoundland, and, therefore, beyond Canadian and American jurisdictions. For years, these Gallic stereotypes have been ferrying bootleg whiskey to Boston. But, now, prohibition is ending and their business model is collapsing.

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EU to ban Russian state-backed channels RT and Sputnik

Ursula von der Leyen says stations will ‘no longer be able to spread their lies to justify Putin’s war’

The EU has announced it will ban the Russian state-backed channels RT and Sputnik in an unprecedented move against the Kremlin media machine.

The European Commission president, Ursula von der Leyen, said: “Russia Today and Sputnik, as well as their subsidiaries, will no longer be able to spread their lies to justify Putin’s war and to sow division in our union. So we are developing tools to ban their toxic and harmful disinformation in Europe.”

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‘I feel like a competition winner’: Bridgerton’s Nicola Coughlan on luck, social media and her ‘nice’ list

Five years ago, she was working in an opticians. Then came Derry Girls and Bridgerton. Now she’s a Hollywood name, no wonder she can’t believe her good fortune

I have a nice list,” declares Nicola Coughlan. She pauses, perhaps to catch her breath at the end of another mile-a-minute answer, or perhaps for dramatic effect. “Of celebrities!” The disclosure comes somewhat out of nowhere, 40 minutes into our Friday-afternoon interview on Zoom. I’d asked the star of Derry Girls and Bridgerton about her public love-in with Kim Kardashian – not the tabs she’s been keeping, privately, on her new famous friends.

In fact, Coughlan explains, “ideally” her nice list is of names she hasn’t met herself. “People are always going to be nice to you, aren’t they? This has to be evidence from several sources that they’re nice.”

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Lena Zavaroni: fame, anorexia and the tragedy of a 1970s child star

Zavaroni was in the charts at 11 and died after years of illness aged 35. Her father talks about their family life as a new stage show about her is about to open

There are a few recordings of television interviews with Lena Zavaroni around online. One with Russell Harty where he comments that her eating disorder must save on restaurant bills and another when Terry Wogan tells her to eat up so she can get back to “your chunky self”.

The little girl with the big voice was 10 when she appeared on Opportunity Knocks television’s predecessor to Britain’s Got Talent and Pop Idol – singing Ma! He’s Making Eyes at Me, 11 when it was a hit and 13 when she was diagnosed with anorexia, a barely known illness then called the “slimmer’s disease”. Before she died in 1999 the girl from Rothesay on the Scottish island of Bute had hosted her own TV shows, performed at the White House and shared a stage with Barbra Streisand, Frank Sinatra and Lucille Ball. She remains the youngest artist ever to have a record in the Top 10 UK albums chart. Lena was huge.

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Miss the office? Michael Schur – master of the workplace sitcom – on why we should relish our return

As we slowly rediscover a world of bad wifi and slow lifts, the US Office writer and creator of Parks and Recreation and Brooklyn Nine-Nine explains why he can’t wait to get back

One of the first things we knew back in early 2020 was that we wouldn’t be going to work for a while. We thought that we would take a quick break – a week, maybe – and then reassess. So we cleaned out our cubicles and desks, and grabbed a few snacks from the kitchen (and toilet paper from the bathroom). One week became two, which became a month, which became a series of question marks spanning endlessly into the future, as the Zooms and FaceTimes and home office conversions gradually made the very idea of spending our workdays with other people seem like a quaint memory. Like childhood birthday parties, or answering machines, or properly functioning democracy.

Some of us might never go back. Every so often we will hear about companies reassessing their relationship to the office, which has been proved unnecessary or at least outdated.

‘In 1987,’ photographer Steven Ahlgren says, ‘when I was bored and unfulfilled, working as a banker in Minneapolis, I began taking frequent trips to look at a painting by Edward Hopper, Office at Night. What first drew me was its setting, which I related to each and every workday at the bank. But what kept pulling me back was its ambiguous narrative – who were these two people, what was their relationship, and why was the woman looking at that piece of paper on the floor?’

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The stars of Top Boy: ‘Are drug dealers going to Black Lives Matter marches? I doubt it’

Britain’s edgiest crime drama is about to return – and this time its scope is bigger than ever. Ashley Walters, Little Simz, Kano and more discuss turning Drake down, the call of Hollywood and not depicting BLM

You know a show has made it when it’s prepared to say no to its main backer, especially when that backer is a megastar rapper who is singlehandedly responsible for the show even being on TV. “When we first met Drake to talk to him about helping us to revive the series, he said, ‘Look, I’d love to be in it!’” says Top Boy creator Ronan Bennett, but this offer gave him a problem. “If Drake were to appear, it would have been a distraction. It would be hard to maintain Top Boy’s level of authenticity – so it didn’t happen.”

Since its launch in 2011, Top Boy has had a reputation for an unblinking depiction of the drug trade rife on inner-London estates. Soon, viewers will be treated to its second, hyper-realistic season on Netflix, nine years after it was cancelled by Channel 4 following two runs. Longtime fan Drake helped convince Netflix to commission the series, becoming executive producer along the way. It was also helped by calls from fans – including famous ones. When Kane “Kano” Robinson, the grime musician who plays gang leader Sully in the show, met Noel Gallagher, the first thing Gallagher said was: “When’s Top Boy coming back?’”

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Lockdown lifestyles: how has Covid changed lives in the UK?

Nearly two years after the first lockdown was implemented, legal restrictions related to coronavirus are finally being lifted. Here we chart what has changed in people’s lives

It’s nearly two years since the prime minister, Boris Johnson, announced the first national Covid lockdown and, for many Britons, life feels close to normal.

As of Thursday, there are no longer any restrictions in England – no legal requirement to wear masks or to self-isolate after a positive Covid test. But have our lives changed in other ways that will outlive the pandemic? Have our habits changed for good?

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‘The ultimate single woman’s icon’: how Mrs Maisel is an inspiration across the years

From defiantly turning her back on male approval to her seamlessly snappy defiance of the ‘women aren’t funny’ trope, Midge is a warrior whose example still resonates

The best line so far in The Marvelous Mrs Maisel – the Emmy award-winning comedy drama about a New York-50s-housewife-turned-standup-comic – isn’t a joke she delivers in a set on a dingy club stage. It isn’t even one of the endless, off-stage zingers by creator Amy Sherman-Palladino (also behind Gilmore Girls). It is, in fact, the searing three-word reply that Midge (Rachel Brosnahan) fires at her husband, Joel (Michael Zegen), halfway through season one, when he asks why she won’t give their marriage another shot: “Because you left.”

In that moment, Mrs Maisel becomes the ultimate single woman’s icon. In a world that measures her success and identity by her marital status, she makes the decision to be a single mother and blindly embrace whatever is ahead. While the social stigmas attached to being unmarried might have relaxed since Midge’s time, the reality today is this: in 2019 five hospital trusts and six clinical commissioning groups banned single women from accessing IVF; our prime minister once said the children of single women are “ill-raised, ignorant, aggressive and illegitimate”; single people feel priced out of owning a house while couples have a double income; and – take it from someone who knows – if you’re not standing on a soapbox shouting “single, fierce and independent!”, friends and family assume you’re sitting at home feeling sad with the cat (or without the cat, because the landlord won’t allow it).

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‘Oh my God, I’m having sex again!’: Yellowjackets’ Melanie Lynskey on raunch, rage and the rise of Kate Winslet

After 30 years of critical acclaim, the actor has finally found mainstream success at 44. She talks about Hollywood’s dangerous beauty standards, turning down misogynistic scripts – and why her TV show about possible teenage cannibals is so much fun

It would not surprise me if Melanie Lynskey had deliberately matched her pale blouse to the pale curtains behind her, and her pale complexion, the better to blend into the background. After 30 years of critical acclaim, but not mainstream fame, Lynskey is getting noticed and it feels very, very strange to her. Her show, Yellowjackets, has steadily become a hit. Lynskey is not quite the lead in this ensemble piece, but near enough, as one of four fortysomething women who survived a plane crash as teenagers, and went through some savage stuff, involving murder and almost certainly cannibalism.

Likened to a mix of Lord of the Flies, Lost and Mean Girls, with a pleasing amount of 90s nostalgia, it has become one of the most talked-about shows of the moment. “It’s funny to be on something that people are watching,” Lynskey says with a laugh. “It’s a different experience.”

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‘It’s Tiger King meets Ace Ventura’: the wild true story of the world’s biggest insect heist

From snails the size of dogs to the most venomous arachnids on the planet, the true-crime series Bug Out profiles the bizarre investigation into a robbery at the US’s first bug zoo

A room swarming with thousands of giant, exotic creepy-crawlies may sound like your worst nightmare (or one of Ant and Dec’s Bushtucker Trials on I’m a Celebrity). It is also the starting point for Bug Out, the latest bizarre true-crime documentary series, which is set in the US’s first bug zoo, the Philadelphia Insectarium & Butterfly Pavilion. Prepare for a mystery with more twists than a worm colony.

The show focuses on the moment in August 2018 when the museum’s boss, Dr John Cambridge, arrived at work and did a double take when he realised his room, that ought to have been full of critters, was suddenly empty. Glass tanks were upended, shelves bare, displays cleared out. Thousands of live bugs, worth an estimated $50,000 (£38,000), had been stolen. It was the biggest insect heist in history.

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This Is Going to Hurt’s Ambika Mod: ‘Whenever I did a caesarean I was buzzing!’

Playing junior doctor Shruti is a far cry from the standup’s ‘really silly’ sketch comedy but her improv background helped her find moments of levity in Adam Kay’s NHS drama

When Ambika Mod was cast in This Is Going to Hurt, Adam Kay’s TV adaptation of his diaries as a junior NHS doctor, it was late 2020 and health workers were facing a new Covid wave. “It felt like, now more than ever, it was an important story to tell,” she says. “I was filled with fear because of the sheer responsibility.”

Mod plays Shruti Acharya, a junior doctor under the tutelage of Adam (played by Ben Whishaw). “It’s so rare to see a well-written, complex, young south Asian female character,” she says. “Her arc is so brilliant.” The character is an amalgamation of people Kay worked with. “I share a lot in common with Shruti,” says Mod. “We’re both young Indian women, we’re both children of immigrants, so Adam was really receptive to my thoughts. I remember him saying: ‘If Shruti doesn’t make sense to you, she’s not going to make sense to anyone.’”

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‘All that Hollywood glamour doesn’t feel like me at all’: Joanna Scanlan on self-doubt, sexism and being the red-hot favourite at the Baftas

After years of great roles in comedies such as The Thick of It and Moving On, the actor is now being feted for her devastating dramatic performance in After Love. She talks about ‘serious’ acting, a breakdown in her 20s and learning to fight for herself

When Joanna Scanlan arrives, she is hidden beneath a yellow raincoat, glasses steamed up, blown through the door as if the gathering storm outside has washed her ashore. “I am so sorry for dragging you out here,” she says, laughing slightly hysterically, as she sheds the layers. Scanlan is filming in rural Wales – she, her husband and their dog are renting a cottage nearby – and this cafe, also in the middle of nowhere, was her suggestion. Even the women who work in the cafe were surprised to be called in. We are the only customers, but there are pots of tea and welsh cakes, and Scanlan is great company, so all is well.

She grew up in Wales, so this job – filming The Light in the Hall, a psychological thriller, for which she has had to learn some Welsh – is something of a homecoming. Being here is also a detachment from London, and everything that goes with her job outside of being on set or stage – the bit, you sense, she could take or leave. And so she’s a bit distanced from the buzz around her Bafta nomination for best actress for her role in the extraordinary film After Love. “When you sit here in Tywi Valley, just learning your lines for tomorrow, it’s hard to take that in,” she says. “I feel very long in the tooth to be coming to this sort of prominence.”

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Charlie Brooker: ‘Mr Dystopia? That makes me sound like a wrestler’

As he releases the latest fruits of his new megabucks deal with Netflix – an interactive cartoon about a cat – the Black Mirror creator discusses gaming, nuclear war, and why his generation has wrecked the UK

Charlie Brooker is sitting at a desk, a big cardboard box in the background, miscellany spilling out of bookshelves. “What you can’t see,” he says, since we’re on Zoom, “is all the shit all over my desk. I’m shambolic.”

He got his first gig doing a comic strip when he was 15, for 80 quid a week; he dropped out of Westminster University as the only dissertation he wanted to write was on video games, and scrambled into a career in journalism – “there was no planning, I wasn’t somebody who was out hustling” – via working in a shop and writing video game reviews. He shifted, via Screenwipe, Gameswipe, Newswipe and Weekly Wipe, into screenwriting, and achieved astonishing success with the anthology series Black Mirror. His production company with Annabel Jones, Broke and Bones, has just been bought by Netflix for an unspecified sum; the rumour is that it’s so enormous that, well, I had to get out a calculator to work out what “nine figures” over five years means ($100,000,000). I just can’t wrap my head around why he still has Billy bookcases from Ikea.

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‘It’s the end of a big adventure’: Cillian Murphy bids farewell to Peaky Blinders

Cillian Murphy’s icy stare has transfixed viewers around the world as Brummie gang boss Tommy Shelby in Peaky Blinders. As the stellar series reaches its finale, he talks about music, empathy and trying not to overthink things

Cillian Murphy pops up on screen with the discomfited gaiety of a man about to submit to dentistry. He is courteous and friendly, but without ever quite shaking off the impression he would rather be almost anywhere else. It’s just before Christmas, and the rampant Omicron variant of Covid-19 has put paid to in-person meetings. You don’t get the impression Murphy minds too much. At a Zoom’s remove, he sits back in his chair, hair restored to luxuriant cruising length after the savage chop required for Peaky Blinders. His storied peepers – organs that have inspired countless column inches and exhaustive maritime imagery – are, for once, hard to discern.

I recognise the spare white wall behind him, which is decorated with a poster for the band Grizzly Bear and a painting. This must be his famous basement. In the Dublin home he shares with his wife, Yvonne McGuinness, an artist, and their teenage sons Malachy and Aran, the basement is Murphy’s fortress of solitude. He has spent a lot of time here over lockdown, noodling around on guitars, scrolling the news about the pandemic and recording impressively eclectic radio programmes for BBC 6 Music.

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