Category Archives: Television & radio

‘I don’t have penis envy. I have 12 in a drawer at home’ – the fearless female standups of the 60s

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They were pigeonholed, derided – and even shot at. With The Marvelous Mrs Maisel back on TV screens, we find out what life was really like for women who dared to be funny in the postwar years

Back in the days when they were still called comediennes, an older comedienne turns to a younger one and says: “What is your persona?” The younger woman is confused. Bob Hope and Lenny Bruce don’t have personas, she says. They are just allowed to be funny as themselves, so why isn’t she? “They have dicks,” snaps back Sophie Lennon, one of the most memorable characters in The Marvelous Mrs Maisel.

In the hit Amazon show – set in 50s and 60s New York – Midge Maisel discovers her talent as a standup. She’s an accidental comic, getting up on stage at a Greenwich Village club one night, drunk and angry and confessional, after her husband leaves her for his secretary. At the time, there is really only one mainstream female standup: Lennon, whose persona is that of a Queens housewife, complete with feather duster, fat suit and grating catchphrase. Maisel, with her shocking, electrifying set – it ends with her getting arrested – represents a new style of comedy, particularly for women.

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‘Nobody has sex after 40? That’s just not the case’ – Outlander turns up the highland heat

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As the raunchy TV show about a time-travelling nurse and an ageing highland warrior returns, its stars open up about the vibrant love lives of the over-70s – and respond to criticism of the show’s troubling use of sexual violence

Outlander isn’t a show that can be described in a nutshell. Is it a period drama? Sci-fi? Action? Romance? Caitríona Balfe, who has been the show’s star for eight years, still doesn’t know. “God, yeah,” she puffs. “It sort of defies definition, but that’s part of the appeal.” One thing agreed upon among fans is that, against a dedicated attention to historical detail and endless panoramic shots of Scotland, Balfe’s raunchy relationship with co-star Sam Heughan is the beating heart of the story. Heughan, however, insists it’s not just constant shagging: “When it’s written off as a ‘bodice-ripping drama’ I think, ‘But there’s so much more to it.’”

The adaptation of Diana Gabaldon’s novel series follows the story of second world war nurse Claire, played by Balfe, who is honeymooning with her husband, Frank, when she touches a stone in the Highlands and falls back in time to 18th-century Scotland. There, she falls in love with clansman Jamie, played by Heughan. He affectionately calls her “sassenach” – gaelic for “English outlander”. Together, they travel around the world, encountering and often disrupting historical events, moving back and forth between centuries (only Claire has the gift of time travel), going into battle, saving lives, dealing with witchcraft trials, becoming a power couple and having a lot of sex.

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BBC website ‘blocked’ in Russia as shortwave radio brought back to cover Ukraine war

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Website reportedly available at only 17% of normal levels in Russia, hours after broadcaster revives radio technology to reach Ukraine and parts of Russia

Access to BBC websites has been restricted in Russia, hours after the corporation brought back its shortwave radio service in Ukraine and Russia to ensure civilians in both countries can access news during the invasion.

State communications watchdog Roskomnadzor restricted access to BBC Russia’s online presence, as well as Radio Liberty and the Meduza media outlet, the state-owned Russian RIA news agency reported on Friday.

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‘Everybody needs good Neighbours!’ How Ramsay Street changed my life

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The Australian soap has kept me hooked since 1986, becoming a major part of my daily existence – even when I didn’t have a TV signal. Ramsay Street, you will be missed

• Beloved soap Neighbours to end after 37 years on air

From the upbeat opening bars of its theme tune and the declaration that “Everybody needs good neighbours”, Neighbours was like a blast of fresh air blowing across British TV screens in 1986. Here was a show that was on BBC One twice a day; lunchtime and a repeat in the late afternoon. This was when Netflix was but a twinkle in Reed Hastings’s eye and a “streaming service” was probably a water-feature option offered by landscape gardeners. You watched Neighbours or you missed it.

Centred on Ramsay Street, the Lassiters hotel complex, and the lives of the Ramsays and the Robinsons (think Jim Robinson and mother-in-law Helen Daniels), it was soon a must-watch for students in the UK because – despite being watched “ironically”, however one does that – it had young people at its heart. This is the show that brought us Kylie Minogue, Jason Donovan, Guy Pearce and Panda from The Masked Singer, Natalie Imbruglia. Talk about a hit factory. But, wandering the banks of Lassiters lake, we were also in the company of Harold and Madge, Dr Karl and Susan Kennedy, “Toadfish” Rebecchi and more. But now, the curtain falls. After almost 9,000 episodes, Neighbours is to come to an end.

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From Kansas, with love: like it or not, my home defies stereotypes

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Getting a place right shouldn’t be hard, so why does TV show Somebody Somewhere’s accurate depiction of the midwest feel like a miracle?

One Saturday last fall, my husband and I bought an antique clawfoot bathtub in Manhattan, Kansas. After loading it from a stranger’s backyard into the bed of our truck, we walked to The Chef, a downtown diner, figuring we might be seated quickly with half the town tailgating at the Kansas State University football game.

We drank bloody Marys on the patio among white, Black and brown diners while purple school flags waved in the autumn breeze. Our server pointed to a pile of blankets in case I got chilly.

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Park Seo-joon: ‘I actually couldn’t believe Marvel wanted to speak to me’

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The actor talks about joining the MCU, his friendships with BTS’s V and the rest of the ‘Wooga Squad’, and the social and economic issues behind his TV hits Itaewon Class and Fight for My Way

In an early scene of Bong Joon-ho’s Parasite, a brief conversation between rich student Min-hyuk and his friend Ki-woo proves a crucial moment in the multi-Oscar winning film. “Tutor a rich kid. It pays well,” the scooter-riding Min-hyuk tells the impoverished Ki-woo, who lives in a semi-basement home with his family. And when Min-hyuk offers Ki-woo the opportunity to take over his job as a tutor for the rich Park family, he acts as a bridge between the two worlds, and sets the plot of the film in motion.

Min-hyuk is played by Park Seo-joon, and despite the brevity of Park’s appearance in Parasite, it will have been the first time most international audiences will have got a good look at him. Park is a big name in South Korea however, thanks to a string of successful domestic TV series – mostly romantic comedies such as She Was Pretty and Fight for My Way – and the Netflix hit Itaewon Class. Now his international profile is about to be raised, after it was confirmed he will be joining the Marvel Cinematic Universe for Captain Marvel 2: The Marvels, appearing alongside Brie Larson, Iman Vellani and Zawe Ashton, making him the third South Korean actor to join the MCU.

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Neighbours: the 10 best memories, from Scott and Charlene to Madge’s ghost

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With the Aussie soap finally confirmed to end, we celebrate the best moments from 37 years on Ramsay Street – including plenty of twists, weddings and a tornado

Once upon a time, Neighbours had good friends. But with producers Fremantle failing to find a new UK backer to save the Aussie soap, Neighbours is set to end in June after a groundbreaking 37-year run.

First airing on the Seven Network in 1985, it was taken over by Channel 10 just four months after launch and was transformed into water cooler fodder and a Logies award generating machine. At its peak, more than one million Australians tuned in each night to catch up on the exploits of these “typical” Aussie families living in a cul-de-sac in suburban Melbourne.

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Beloved Australian soap Neighbours to come to an end after 37 years on air

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The show where household names such as Margot Robbie and Kylie Minogue had their start will wrap for the last time in June

The Australian soap Neighbours will shoot its final scene in June following a record 37-year run, after producers Fremantle failed to secure another UK broadcaster.

The series, which launched the international careers of countless stars including Kylie Minogue, Jason Donovan, Margot Robbie and Guy Pearce, is the longest-running drama series on Australian television and was so popular in Britain it has been bankrolled by Channel 5 since 2008.

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Netflix to pause all projects and acquisitions in Russia

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The streamer has halted work on four original series as a result of the ongoing invasion of Ukraine

Netflix has paused all future Russian projects and acquisitions as a result of the ongoing invasion of Ukraine.

According to Variety, the streamer is “assessing the impact of current events”, which has led to four Russian original series being indefinitely paused. Zato, a crime series set after the fall of the Soviet Union, directed by the Belarus-born director Darya Zhuk, was already in production but has now been put on hold.

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Patrick Stewart: ‘I’d go straight home and drink until I passed out’

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As he beams aboard another Star Trek adventure, the 81-year-old actor talks about playing Picard as an intergalactic Prospero, hitting the bottle during an exhausting Macbeth – and reaching page 310 of his memoir


Patrick Stewart is slightly surprised to be talking about the impending second series of Star Trek: Picard, during a break from shooting the third in California. The reason is that he so firmly turned down the first season. After playing Captain Jean-Luc Picard, 24th-century hero of Starfleet, in 176 TV episodes of Star Trek: The Next Generation and four spin-off movies, Stewart was convinced that “I’d done everything I could with Picard and Star Trek”.

But the producers – Akiva Goldsman (A Beautiful Mind), Michael Chabon (Wonder Boys), Kirsten Beyer (Star Trek: Discovery), Alex Kurtzman (The Mummy) – persisted. And Stewart “took a look at the names, and there were Academy award and Pulitzer prize winners. So I thought the most courteous thing to do would be to have a meeting to tell them face to face why I was going to turn them down.”

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How did Euphoria become the most loved and hated show on TV?

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The HBO teen drama’s second season is either a glorious mess or an excessive fantasy of high school. Either way, it’s a record-breaking hit

If you were anywhere near social media this past Sunday night, you probably at least glimpsed the divisive mess that was the second season finale of Euphoria, HBO’s technicolor, gleefully excessive soap on the outsized trials and tribulations of suburban California teens. After a buzzy and acclaimed but modestly watched debut in 2019, the show’s second season has blown up: HBO announced Tuesday that Euphoria, with help from its new streaming home on HBO Max, is now its second most watched show since 2004. It averaged 16.3 million viewers an episode this season, behind only OG HBO juggernaut Game of Thrones, which drew an average of 44.2 million viewers during its final season in 2019.

But perhaps more impressive, and telling, than its 2022 viewing stats is Euphoria’s digital footprint. According to Twitter, the drama is the most tweeted-about show of the (still young) decade, with 34m tweets in the US alone. This is by design: Euphoria, adapted by Sam Levinson from the Israeli show of the same name, is audacious in style, almost pugnaciously provocative in substance, with imitable peacocking fashion and easily memeable cutaways. In other words, catnip for the online crowd.

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Chernobyl: The Lost Tapes – stunning TV that is suddenly unmissable

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Filmmaker James Jones had no idea when he started it two years ago that a terrible synchronicity would make his blistering documentary about the nuclear accident in northern Ukraine a must-watch

Had it been released at any point in the past few years, Chernobyl: The Lost Tapes would have been an important documentary; a feature-length blend of audio interviews and largely unseen archive footage that puts the 1986 disaster into horrifying new perspective. That it comes out now – just days after Russia launched a full-scale invasion of Ukraine, including an attack on the Chernobyl site itself – makes it as unmissable as it is harrowing.

Obviously, this timeliness was never the intention. Indeed, the film-maker James Jones had a different historical event in mind when he started work on it two years ago. “I initially thought the relevance was Covid,” he says. Like Chernobyl, the early days of the pandemic were marked with mysterious illnesses that the local government attempted to keep a lid on. “I was interested in the idea that this invisible enemy was threatening us,” he says. “An authoritarian regime was lying about it, and Chinese citizens were starting to voice their disquiet publicly.”

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Screen Actors Guild awards 2022: Squid Game, Will Smith and Coda win big

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Netflix phenomenon and Apple’s deaf family drama make history at this year’s SAG awards ceremony

The indie drama Coda has won big at this year’s Screen Actors Guild awards, picking up best ensemble in a movie and best supporting actor for Troy Kotsur, who is the first ever deaf actor to win an individual SAG award.

The Apple drama about a deaf family was bought for $25m from last year’s Sundance film festival and has also been nominated for three Academy Awards, including best picture.

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Peaky Blinders review – Tommy Shelby’s back where we want him to be: in all kinds of trouble

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It’s war on three fronts, across two continents for the Birmingham gang leader. Without his beloved Aunt Polly, will he be able to take it?

Man walks into a bar. Herringbone cap, baby face, topcoat flapping in silhouette, weaponry secreted in case things turn sour. Which they always do. “Glass of water, please,” he says. The French stereotypes at table four give him the evils. Nobody orders soft drinks in these parts if they know what’s good for them. You could cut the tension with a – well, a razor blade concealed in the brim of your cap would do the job.

It’s 1933, in a remote outpost of la Francophonie called Miquelon Island, which, as you know, is just off the coast of Newfoundland, and, therefore, beyond Canadian and American jurisdictions. For years, these Gallic stereotypes have been ferrying bootleg whiskey to Boston. But, now, prohibition is ending and their business model is collapsing.

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EU to ban Russian state-backed channels RT and Sputnik

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Ursula von der Leyen says stations will ‘no longer be able to spread their lies to justify Putin’s war’

The EU has announced it will ban the Russian state-backed channels RT and Sputnik in an unprecedented move against the Kremlin media machine.

The European Commission president, Ursula von der Leyen, said: “Russia Today and Sputnik, as well as their subsidiaries, will no longer be able to spread their lies to justify Putin’s war and to sow division in our union. So we are developing tools to ban their toxic and harmful disinformation in Europe.”

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‘I feel like a competition winner’: Bridgerton’s Nicola Coughlan on luck, social media and her ‘nice’ list

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Five years ago, she was working in an opticians. Then came Derry Girls and Bridgerton. Now she’s a Hollywood name, no wonder she can’t believe her good fortune

I have a nice list,” declares Nicola Coughlan. She pauses, perhaps to catch her breath at the end of another mile-a-minute answer, or perhaps for dramatic effect. “Of celebrities!” The disclosure comes somewhat out of nowhere, 40 minutes into our Friday-afternoon interview on Zoom. I’d asked the star of Derry Girls and Bridgerton about her public love-in with Kim Kardashian – not the tabs she’s been keeping, privately, on her new famous friends.

In fact, Coughlan explains, “ideally” her nice list is of names she hasn’t met herself. “People are always going to be nice to you, aren’t they? This has to be evidence from several sources that they’re nice.”

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Miss the office? Michael Schur – master of the workplace sitcom – on why we should relish our return

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As we slowly rediscover a world of bad wifi and slow lifts, the US Office writer and creator of Parks and Recreation and Brooklyn Nine-Nine explains why he can’t wait to get back

One of the first things we knew back in early 2020 was that we wouldn’t be going to work for a while. We thought that we would take a quick break – a week, maybe – and then reassess. So we cleaned out our cubicles and desks, and grabbed a few snacks from the kitchen (and toilet paper from the bathroom). One week became two, which became a month, which became a series of question marks spanning endlessly into the future, as the Zooms and FaceTimes and home office conversions gradually made the very idea of spending our workdays with other people seem like a quaint memory. Like childhood birthday parties, or answering machines, or properly functioning democracy.

Some of us might never go back. Every so often we will hear about companies reassessing their relationship to the office, which has been proved unnecessary or at least outdated.

‘In 1987,’ photographer Steven Ahlgren says, ‘when I was bored and unfulfilled, working as a banker in Minneapolis, I began taking frequent trips to look at a painting by Edward Hopper, Office at Night. What first drew me was its setting, which I related to each and every workday at the bank. But what kept pulling me back was its ambiguous narrative – who were these two people, what was their relationship, and why was the woman looking at that piece of paper on the floor?’

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Russia is banned from Eurovision after invasion of Ukraine

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After a U-turn, organisers say Russia’s inclusion could ‘bring the competition into disrepute’

Russia will no longer be allowed to compete in this year’s Eurovision song contest, with organisers saying its inclusion could “bring the competition into disrepute”.

On Thursday, the European Broadcasting Union said Russia would still be allowed to compete, despite its invasion of Ukraine. But after pressure from broadcasters across Europe, the EBU made a U-turn, publishing a statement on Friday stating the country would no longer be allowed to take part.

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The stars of Top Boy: ‘Are drug dealers going to Black Lives Matter marches? I doubt it’

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Britain’s edgiest crime drama is about to return – and this time its scope is bigger than ever. Ashley Walters, Little Simz, Kano and more discuss turning Drake down, the call of Hollywood and not depicting BLM

You know a show has made it when it’s prepared to say no to its main backer, especially when that backer is a megastar rapper who is singlehandedly responsible for the show even being on TV. “When we first met Drake to talk to him about helping us to revive the series, he said, ‘Look, I’d love to be in it!’” says Top Boy creator Ronan Bennett, but this offer gave him a problem. “If Drake were to appear, it would have been a distraction. It would be hard to maintain Top Boy’s level of authenticity – so it didn’t happen.”

Since its launch in 2011, Top Boy has had a reputation for an unblinking depiction of the drug trade rife on inner-London estates. Soon, viewers will be treated to its second, hyper-realistic season on Netflix, nine years after it was cancelled by Channel 4 following two runs. Longtime fan Drake helped convince Netflix to commission the series, becoming executive producer along the way. It was also helped by calls from fans – including famous ones. When Kane “Kano” Robinson, the grime musician who plays gang leader Sully in the show, met Noel Gallagher, the first thing Gallagher said was: “When’s Top Boy coming back?’”

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‘The ultimate single woman’s icon’: how Mrs Maisel is an inspiration across the years

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From defiantly turning her back on male approval to her seamlessly snappy defiance of the ‘women aren’t funny’ trope, Midge is a warrior whose example still resonates

The best line so far in The Marvelous Mrs Maisel – the Emmy award-winning comedy drama about a New York-50s-housewife-turned-standup-comic – isn’t a joke she delivers in a set on a dingy club stage. It isn’t even one of the endless, off-stage zingers by creator Amy Sherman-Palladino (also behind Gilmore Girls). It is, in fact, the searing three-word reply that Midge (Rachel Brosnahan) fires at her husband, Joel (Michael Zegen), halfway through season one, when he asks why she won’t give their marriage another shot: “Because you left.”

In that moment, Mrs Maisel becomes the ultimate single woman’s icon. In a world that measures her success and identity by her marital status, she makes the decision to be a single mother and blindly embrace whatever is ahead. While the social stigmas attached to being unmarried might have relaxed since Midge’s time, the reality today is this: in 2019 five hospital trusts and six clinical commissioning groups banned single women from accessing IVF; our prime minister once said the children of single women are “ill-raised, ignorant, aggressive and illegitimate”; single people feel priced out of owning a house while couples have a double income; and – take it from someone who knows – if you’re not standing on a soapbox shouting “single, fierce and independent!”, friends and family assume you’re sitting at home feeling sad with the cat (or without the cat, because the landlord won’t allow it).

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